A young woman is torn between the love of her life and her second passion, fashion. In the first part, we get to know Isabelle, who grows up in the Trakenbergs' house, a highly respected fashion entrepreneur. She has known Jon, the love of her life, since childhood...
Lidia and her father, Pablo, return to the family lighthouse after her mother’s death. Pablo, aware of Lidia's fragile emotional balance, worries for a possible relapse after her suicide attempt. Lidia, annoyed by her father's lack of trust, will discover that something’s not right at the Lighthouse, and that danger awaits for them if they do not find out the truth.
Explore the first – and only – time “demonic possession” has officially been used as a defense in a U.S. murder trial. Including firsthand accounts of alleged devil possession and a shocking murder, this extraordinary story forces reflection on our fear of the unknown.
Sixteen-year-old Tomi trusts no one and does his best to protect his little sister Aino from the dangers of the world. But Aino is changing, fast. Because of his own fear of loneliness, Tomi tries to stop his sister, but he will eventually find out that you cannot control another person by force.
When her joint family breaks apart, daughter-in-law Uma solves everyone's problems and unites the family again.
Based on true events, "Superman Doesn't Steal" is a coming of age story, set during the 1970's Atlanta child murders- as seen through the eyes of 9 year old Harriet and her brother, who are fascinated with superheroes. However, when they experience a troubling series of events- the impact on their family leaves emotional scars and causes them both to grow up fast as they redefine their definitions of heroes, villains and yes- even Superman.
The unexpected meeting of two ex-lovers after a long time affect the equation of their respective families
Paropakari is a 1970 Indian Kannada language romantic drama film written and directed by Y. R. Swamy. It stars Rajkumar and Jayanthi. It revolves around the story of a self respecting young man who wins a wager with his wealthy father. The film was produced under Bhagavathi Productions. It had a very successful soundtrack composed by Upendra Kumar.
To-il tutors high school student Ho-hoon, but she soon falls in love with him and gets pregnant. The film unfolds a series of playful happenings when To-il embarks on a journey to find her birth father for the wedding, though she is living with her step-father.
Bhale Jodi is a 1970 Indian Kannada language drama film written and directed by Y. R. Swamy. It stars Rajkumar in dual roles with Bharathi and Dinesh in other lead roles. The film was based on the story written by Jawar Seetharaman and was produced under Rajkamal Arts banner. The movie was remade in Telugu in 1972 as Bullema Bullodu starring Chalam and in Hindi in 1973 as Jaise Ko Taisa. Rajkumar appeared as Echchamanayaka in a small drama sequence in the movie.
Baalu Belagithu is a 1970 Indian Kannada language drama film written and directed by Siddalingaiah. It stars Rajkumar, Jayanthi and Bharathi.[1] The film was released under Chitrashree International banner and produced by K S Prasad, B V Srinivas and A S Bhakthavathsalam. It was remade in Telugu as Manchivadu, in Hindi as Humshakal and in Tamil as Oorukku Uzhaippavan.
Noé comes into sixth grade at the same time he discovers a new city and a new house where he has just moved with his father, Marc. Coached by him, Noé takes intensive training of combat sport. And Mark does not hesitate to put him in a situation of attack. They are in danger, he must be prepared to respond to any aggression. While keeping the secret of his "double" life, Noé has to learn how to find a place in his new college. He becomes friend with Marine, a young girl full of energy. Noé discovers a world whose vision was shaped by his father so far. A father so near and yet so mysterious. Between them there is a history of complicity and confrontation.
Steve Thompson is losing himself, one memory at a time. Plagued with amnesia after getting a concussion, Steve is overwhelmed by his unrecognizable life and leaves his family in search of answers. But his quest only returns him back home, where he must face his demons and get at the truth.
The principal of a high profile school comes across the bright Raghu, son of a dhobi, and gives him an opportunity to learn in his school along with the kids coming from rich families. Being a dhobi's son, Raghu experiences fear and inferiority complex in the beginning, but as time passes, he makes six best friends who hail from rich families and a beautiful bond of friendship begins.
A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.
Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.
Nyengkuyung tells about the adventures of Pak Suratno, a former RT head who tries to hold a gamelan performance in the midst of his confusion about adapting to the new routine of becoming a retiree. In the midst of his efforts, he discovered odd things that were done by Pak Hari, the new RT head.
After commiting a terrible crime by accident, siblings Joel and Ana decide to escape to a new life to avoid consequences, needless of a forgiveness they would never be given.
A left-wing journalist whose wife died while giving birth to his son during a military coup returns to his family's farm. Estranged from his father for turning his back on the family and wasting his life with political activism instead, he tries to reconnect with him so that his son will have a place to live as his health is deteriorating due to the extensive torture he had to endure.
Emma approaches adulthood, she tries to live an ordinary life and keep up to her late mothers expectations. However her anxiety weighs over her, stopping her from enjoying the last few youthful years.