Maine Man

An unfinished short student film about dreaming

Gitmeye Dair

A nuclear family sits in front of the television. The phone rings.

A neurotic, alcoholic trans man struggles through navigating his social and love life.

The Hungarian word "alkotás" (artwork) has a dual meaning – it can refer both to the process of creation and to the finished artwork. The film tells the story of how a canvas comes alive, how playful, abstract forms are created, each one carrying its own human narrative.

A tale of two brothers from babies to adulthood told without words. One brother is upstaged by the other from the crib onward. Eventually the tables are turned.

The life of Ukrainian-Soviet avant-garde composer Alexander Mosolov inspires three stories about creation and individualism in the face of state power, set against the Great Purge of the 1930s and the ongoing Russian invasion of Ukraine.

An inexperienced astral projector seeks his grandmother’s wisdom after meeting an uncanny woman in a place transcending reality.

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

A camera tries to create a love story using lost videos on his memory card, but fate transforms these files into those of his ancestors who gave him life through a ritual. Magic, Surrealism and Queer Sexuality in the eyes of cinema now alive.

an anime-inspired short film that tells the story of a women named Bel, who makes a deal with an angel to stop the demon forces from invading earth.

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

Atmospheric Offense is an interpretation of Ida Lupino’s 1953 Noir Thriller The Hitch-Hiker that explores how narrative both remains and disappears when exposed to avant-garde techniques, which include removing dialogue, jarring and destructive ellipses, the creation of loops to focus on certain elements, reimagining of time, exaggeration of a certain sinister aesthetic, and a push toward a certain dream like quality. Narrative remains, but with a bastardized and disoriented aftereffect, which transforms it into another way of experiencing it. The spree killings of Billy Cook (portrayed in Lupina’s film by the actor William Talman, and renamed Emmett Myers) are looked at more as a moment in time that begins and ends with vague qualities much like a dream, or an experience of weather in Robert Musil’s The Man Without Qualities.

Haunted by flooding memories of their parents' verbal abuse, an insecure person decides to stop reflecting and start living the life they never knew they could have.

An unseen character observes the cold, harsh world around them while listening to The Beach Boys, hidden away in the safety of their bedroom.

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

The people are in turmoil. The ground from which their enchanted garden grows, is trembling. Between bushes and trees, flowerbeds and fountains, everyone has lost their way on their own. Their eyes search for paths, their hands try to remember. Sometimes they spot something. Sometimes they listen. They catch a whisper, a faint promise. They follow the petals downstream. Further.

The end of the world isn’t a global catastrophe, but an inner sense of total collapse, like for a man who’s lost his job and doubts his wife’s loyalty. In despair, he goes fishing and finds a wounded angel. He takes the angel home on his bicycle and introduces him to his family. But soon after, during a party at a local bar, the angel is accidentally shot by a neighborhood policeman. Based on Gabriel García Márquez’s short story 'A Very Old Man with Enormous Wings'.

A wall-painting on Earth is too terrifying to exist, so unknown forces remove it.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.