Maine Man

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

What remains for me is to promote my own ruin. Aware of inevitable loneliness, the incarnation of cruelty.

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

Something is staring at me from the corners of my house.

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.

Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern

Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.

Based on Plato's dialogue Charmides.

Perlexia: Post-Impulso

The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.

When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.

The life of Ukrainian-Soviet avant-garde composer Alexander Mosolov inspires three stories about creation and individualism in the face of state power, set against the Great Purge of the 1930s and the ongoing Russian invasion of Ukraine.

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

A girl gets ready for a party, but the process of removing her makeup turns painful

A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.

3IRTH

After stumbling upon a surreal scene of a Wolf eating his birthday cake, a troubled boy finds himself stuck in a desperate struggle trying to convince his skeptical friend of what he just saw. When his friend refuses to believe him, the situation gets dramatically worse as worlds unravel and true human nature is revealed.

Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.