The 12th House

The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

A conversation between reality and consciousness.

During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.

A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.

Encruza Braziliensis

AEOLUS

The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.

He's here and waiting. While time, history and ideas repeats themselves he watches the ages pass as usual. In the end, the left eye of Mars will return to him uninjured. A five-part experimental film about the antics of modern society and the struggle of our beloved "Mars"

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

Luxo É O Que Eu Tenho Entre Os Dentes

A father travels through five stages of grief after discovering that his wife is having an affair. The father is portrayed by five different actors and actresses.

A young man named Phillip finds himself in a purgatory reality that's littered with clues of his past life. From the discovery of his own corpse to the mysterious connection with a woman scheduled for an abortion, Phillip slowly reveals this doomed fate by his own hands.

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

o céu diante dos meus olhos nunca é cinza

A woman strolls through nature, embraces trees, and enjoys stunning views. She dances around a large tree, then suddenly falls into darkness, wakes up in a completely different setting, and wonders if she was dreaming or if this is her dream.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

L'Image de la culture

Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.