the blue nightmare

A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.

Robert gets up at 5 a.m. every morning to work on a project with Professor Perlman. They are investigating the mystery of a composer who stopped composing. They like to drink tea and jog around campus. Meanwhile, Alice is fast asleep …

A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

A human larva, viscous, faceless, covered in wounds, moves through an ordinary day of its existence: bathing, getting a haircut, watching its favorite film, and working on its art. A self-portrait about the loneliness and self-acceptance of filmmaking.

Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?

About this experimental short, director Robert Darroll wrote, "Ultimately everything is an interpretation of a reconstruction. Paleontology of the future is necessarily a reconstruction and interpretation of the present and our interpretation of the past as seen through the templates of a future ideology. The quest for new narrative forms, the investigation into the way we derive meanings, whether intended or not, determined the form of this work."

About this experimental short, director Robert Darroll wrote, "One meaning or many meanings? But not any meaning! A field of meaning. Better. Intended meaning? Yes, but not compelling. Conventional meaning? Definitely not. Is this a narrative? Yes, but new narrative has infinite possibilities for the viewer to collaborate with the author. It isn't finished after one reading." Intended as as an epilogue to Darroll's previous work Future Paleontology.

What triggers the sparkle and juice of each persons life? What makes us open up to the unknown and just leap out of our comfort zones? And where is your secret place where you recharge your batteries? Don´t wait! It might be too late!

For about a dozen years, Lizama has traveled to southern Chile during the summer, mainly between the cities of Valdivia and Osorno. Years of observing birds and their collective movements, trees and their swaying, the sea and its rhythm, the rain and its whisper, the mist that turns into fog and the boats that shatter the calm. Memories and lessons embedded in cinematic time, of someone who yesterday embarked on the journey as a stranger and today does so to reach the family home. Starting from a recognizable world, we enter a more dazzling and abstract one, playing with the pixels in the frame. Recorded and (mostly) edited on a cell phone.

This is a story about a young man who has to takeover his family’s nightclub business after the death of his older brother.

Ivan Melnychuk documents the changes in Kyiv, focusing on the ruins of buildings constructed from the late 60s for workers. As an architect, he observes the ‘improvements’ of public spaces, highlighting small gestures common in Ukraine. These actions, driven by pragmatism, involve occupying spaces without considering broader effects, reflecting a persistent situation where public spaces are subtly manipulated.

In the rural desert of Bolivia, where the most important presence is the wind moving between papa flowers and animals, the people who harvest the land, those who built the ancient artifacts and sacred objects and the musicians who play moseñada – songs linked to the first products of the harvest – on the streets of the city have one point in common: labor. With a successful inclusion of stories of enchanted lakes, legends that pass from mouth to mouth – or from orality to audiovisual, in this case – and give a fantastic aura to those lands, Luciana Decker Orozco not only manages to capture life without oscillations . field, but resorts to the incessant movement of images and sound accompaniment to define a sensory and transcendental experience for the viewer.

Hacking a claw machine inside C4D.

HU

A night of tortured and solitary sleep, in which fears unfold and a bell tolls.

A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.

A video sketch at Hayama's bed, situated in Bangkok.

A reflection on loss and nature’s quiet observance in a small nook of the Ozarks. 

"The film's title takes into account meanings and implication of the word 'chamber', as well as of the heart, intimate music, darkness, room, camera, prison, gun part...both empty and loaded. CHAMBER provided my conversion from painter to filmmaker." -JB