The film tells the stories behind six photographs taken by Ukrainian and international photographers at the beginning of the full-scale invasion. These are the stories of images that traveled the world and shaped its perception of the war in Ukraine. The stories of people whose lives were changed by being captured in these frames. This is a manifesto of the power of photography - as evidence, memory, and a weapon of truth - and of the importance of those who risk their lives to make that truth visible.
A profile of Putin, exploring his complicated relationship with Ukraine. Why does this neighbouring nation threaten his power and identity?
Abel Ferrara explores human conflict and the search for peace and balance through the music and words of Patti Smith and the experiences of people at war in Ukraine.
Documentary about Ukrainian heroes and others who keep making music in the harshest conditions, to lift people's spirits during the war with Russia. Shot on location in Ukraine, Russia, and Poland.
As war ravages their homeland, Ukrainian children flee their homes out of fear. Across the country, young lives are uprooted and transformed overnight. But even amidst devastating loss, the children's resilience and optimism shine through. The original version of the film was 15 minutes long, and it was the one that had the initial festival distribution and screenings. Then, for the release of the film on VOD, the running time was increased to 52 minutes.
This lesson in political revelation focuses on the shooting down of the Malaysian passenger jet MH17 over eastern Ukraine in 2014. A meticulous, investigative exposé that lays bare the mechanisms of Russian warfare.
In the aftermath of war-torn Borodyanka, Ukraine, powerful murals by renowned street artists Banksy and C215 appear on the war-damaged buildings, inspiring a group of young Italian restorers to preserve these symbols of hope and resilience, that represent the transformative power of art.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Der harte Weg als Basketballspieler in der Schweiz
Film reconstruction of five real stories about the heroic deeds of the residents of Kyiv region during the Russian occupation. A story about those who heroically and selflessly saved tens of thousands of Ukrainian lives.
A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.
An eye-opening documentary capturing Ukrainian soldiers in trenches and civilians facing ongoing destruction by invading Russian military forces.
The film looks at people transformed by a democratic revolution, who give up their normal lives to fight a Russian invasion, in a war which has killed 10,000 and displaced 1.9 million Ukrainians.
On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.
Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.
Bombed-out streets, destroyed Russian tanks, evening meals in an Underground repurposed into a shelter. Image by image, the directors push beyond easily reproducible images of war to enter the reality the country has experienced since February 24, 2022.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
What to take, what to leave? How important are material possessions when you’re trying to save your life? Packages from Ukraine – filled with everything and nothing – wait patiently under a bridge to be found, while a voice stirs memories of frivolous and treasured personal effects, in an apparent heart-breaking farewell letter to Kyiv.
A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are
Over 93 days in Ukraine, what started as peaceful student demonstrations became a violent revolution and full-fledged civil rights movement.