Winter on Fire: Ukraine's Fight for Freedom

Against the backdrop of historical events, from the time of Kyivan Rus' until the arrival of the Ecumenical Patriarch Bartholomew in Ukraine, the film deals with the history of the construction, flourishing, destruction and revival of the Mykhailivskyi Golden-Domed Monastery over 900 years, as well as the difficult history of the struggle for independence of Ukraine. the church that continues to this day.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

Kherson, Ukraine's embattled city, has endured invasion, occupation, and liberation. On February 24, 2022, Russian tanks entered Kherson, leading to brutal occupation marked by violence. Despite being outnumbered, local defense forces resisted, and citizens protested under the slogan "Kherson is Ukraine!" An underground resistance formed, led by brave individuals like journalist Valentyna and others who risked arrest and torture to support the cause. After nine months, Ukrainian forces liberated Kherson, but Russian destruction left the city in chaos. Shelling and drone attacks became relentless, and in June 2023, a dam explosion flooded the city, causing further devastation. Despite these challenges, Kherson's spirit remained unbroken, with citizens embracing arts and resilience. By August 2024, drone attacks specifically targeted civilians, yet the city resisted, determined to rebuild and reclaim its identity, refusing to succumb to ruin.

A boots-on-the-ground documentary following animal rescue and humanitarian aid during the Ukraine War. Edited together with various news coverage of the conflict, the story unveils a portrait of war's most insidious weapon: dehumanization. This film was made entirely non-profit by independent journalists and activists.

This tribute program takes you back into the world of Thierry Ardisson, a particularly creative, provocative, and erudite host and producer. From "Tout le monde en parle" to "Salut les Terriens !", via "Lunettes noires pour nuits blanches", the program retraces his more than 40-year career and his extraordinary journey, featuring cult interviews, testimonials, and archive footage. Numerous guests will pay tribute to him and share their memories and anecdotes on set. Thierry Ardisson, "the man in black," shook up the French audiovisual landscape and left his mark on his era. The program is broadcast on all TV5 Monde channels and on TV5 Québec/Canada.

Half blind and half deaf, ostraziced Cuban writer Rafael Alcides tries to finish his unpublished novels to discover that after several decades, the home made ink from the typewriter he used to write them has faded. The Cuban revolution as a love story and eventual deception is seen through the eyes of a man who is living an inner exile.

From January 25 to May 27, 2011, the film tracks four months of the Egyptian revolution as seen through the director's eyes. January 25 is the beginning, but May 27 is not the end - because the revolution continues.

In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.

Ljudmila Ignatenko tells the story of her and her husband Vasilij, a firefighter who was one of the victims of the Chernobyl disaster in 1986.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

A thirty-minute High Definition documentary which revisits that winter of 1779-80 when Washington’s troops arrived at the densely-wooded area just south of Morristown known as Jockey Hollow, to build a log hut city for their winter camp. The film is an eye-opening look at how the camp saved the army – and the American Revolution – from the brink of disaster. Based on John T. Cunningham’s book The Uncertain Revolution and shot on location at Morristown National Historical Park, Morristown: Where America Survived is narrated by award-winning actor Edward Herrmann, who has voiced many history documentaries over his extensive career. The program was produced by New Jersey Network.

This film is an uncompromising portrait of a woman who no-one could have imagined in a position of power a few years ago . A look at the woman and, through her, at the party that continuously raises concerns and stirs up the media.

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

Anastasia Trofimova, a Russian-Canadian filmmaker, gains unprecedented access to follow a Russian Army battalion in Ukraine. Without any official clearance or permits, she earns the trust of foot soldiers and embeds herself over the span of a year with one battalion as it makes its way across Eastern Ukraine. What she discovers is far from the propaganda and labels pushed by the East or West: an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for.

Mothers and fathers of gay, lesbian, and trans children from Georgia, Moldova, Russia, and Ukraine travel to Berlin to walk together in the Pride parade. Living under one roof, they prepare for the march — painting signs, cooking borscht, and reflecting on how their relationships with their queer children have evolved over the years.

Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.

The story of three Czechs who doubted the reality of the war in Ukraine. Together with the film crew, they went from Prague to Kharkiv, and then to the Donbas. The Czechs were under fire, saw the wounded, mass graves and underground schools.

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?