Atlantic Poems - La Force

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

a raw descent, billowing fast & spun 'til the time we'll force the soil to swallow ourselves: too far gone, & no backwards to safety. only spirals of wasted water down dirty, half-clogged drains, razed by fates written for us in cold ash by the bones of ancient smokestacks.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

In a time where there are fences around everything, and we are denied the instinct of self‐preservation, it is difficult to find a place free from rules and restrictions, but not yet impossible. Surf movies come and go, a million waves in exotic locations and surfers flown in for three‐day shoots on perfect swells, but the spirit of adventure never dies. What began as a three‐month trip to a collection of surf breaks off the beaten track turned into a two‐year odyssey of exploration, injury, companionship and 4,000km of two‐wheeled, single‐finned escape from the real‐world burdens of modern life. Harrison Roach and Zye Norris pack their bags, a diverse quiver of boards, two bikes and a 50‐dollar tent into a 1970s Land Rover and embark on an epic quest from the southern reaches of Bali, through the Indonesian archipelago to Northern Sumatra’s isolated Lagundri Bay.

Experimental meditation on land, consciousness, and artificial intelligence. Shot in the Okanagan and West Kootenays. Original music by Jack Brintnell.

An experimental short film that traces the emotional landscape of life after heartbreak. Through intimate narration and cinematography, the film reflects on time, healing, and the rediscovery of self. A quiet yet cinematic portrait of learning to love the stranger within, and rediscovering the beauty of simply being alive.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

Kelly Slater, Rob Machado, and others take a trip to the coast of Sumatra, where they find themselves surfing beautiful waves, and lose the urgency they have come to live with being professionals. September Sessions documents this trip with interviews and 16mm footage of life on a once in a lifetime surftrip.

o céu diante dos meus olhos nunca é cinza

Dear & Yonder is a surf movie created by Tiffany Campbell and Andria Lessler. It features a dynamic cast of ladies, each of their stories is unique, but a spirit of adventure and love they have for the ocean connects them.

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

A dialogue and home video about belonging, from young people living in modern colonial society.

A self-portrait in the form of a video essay that explores her identity, her relationship with the places she has lived, and her present.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

Experimental Documentary on Sound & Cannabis