Delicacy

A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

The film reveals the astonishing beauty and profound ecological importance of the Pantanal: the largest tropical wetland on Earth, spanning over 17 million hectares across Brazil, Bolivia and Paraguay. The wetland is home to several groups of Indigenous peoples as well as rare and endangered wildlife, including species found nowhere else. But the Pantanal has suffered more fire damage than any other ecosystem. Told through the journeys of two environmental defenders, and blending beautiful cinematography with insights from scientists, Indigenous leaders and activists, the film is a wake-up call and an invitation to stand alongside those working to protect one of the last truly wild places on the planet.

Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

Vi som solgte landet

Faced with the risk of collision with the Earth, space agencies are refining their observations on the course of asteroids in our galaxy. A documented state of the art of the current programs.

It is a documentary about mostly inner-city birds. It is meant to examine their lives in a more metropolitan context as they become increasingly tangled in our everyday lives.

Shutterbug follows a troubled teenager named Thomas as he explores his passion for photography. The film portrays Thomas's journey from a confident, even arrogant, young photographer who believes himself to be a prodigy, to a humbled individual who discovers a deeper purpose in his art. This mockumentary reveals Thomas's struggles with self-doubt and his eventual understanding of what truly motivates his art.

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

A documentary that follows the life of photographer Daido Moriyama in the present, which has never been revealed before. Even though his charismatic presence has reigned over the world of photography since the late 60’s, his true persona had been hidden behind a veil of mystery, since he had refused any major appearances in front of any media in the past. Follow the charismatic photographer Daido Moriyama as he takes his first digital photos and observe his style of quick snapshots without looking in the finder. His stark and contrasting black and white images symbolize his fervent lifestyle.

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

As more and more of us use and replace electronic devices, manufacturers have failed to offer solutions for how to deal with the resulting waste. Much of it is exported to a toxic dump in Ghana, where scavengers do their best to salvage what they can.

A dialogue and home video about belonging, from young people living in modern colonial society.

This is an installation documentary created in 2015. The quiet process of making boxes indoors reflects the author's patience and caution, the narration when the screen is black reflects the author's familiarity and confidence in what he wants to express, and the dodging perspective and trembling picture when facing the crowd outdoors reflect the photographer's cramped and alienated. A lot of things happened after 2015, and the film was re-edited. The current version has almost used the best materials of that year.

Cosme and Monica live with their children and grandchildren in Bahia de Kino, a fishing town in the northern State of Sonora, Mexico. They used to call themselves predators of the sea until one day they became unable to kill a sea turtle. Submerged in a crisis, they embark on a journey to try to save their way of life and of their fishing town through the creation of an environmental community group in charge of protecting sea turtles.

In the rural desert of Bolivia, where the most important presence is the wind moving between papa flowers and animals, the people who harvest the land, those who built the ancient artifacts and sacred objects and the musicians who play moseñada – songs linked to the first products of the harvest – on the streets of the city have one point in common: labor. With a successful inclusion of stories of enchanted lakes, legends that pass from mouth to mouth – or from orality to audiovisual, in this case – and give a fantastic aura to those lands, Luciana Decker Orozco not only manages to capture life without oscillations . field, but resorts to the incessant movement of images and sound accompaniment to define a sensory and transcendental experience for the viewer.