Fallen Branches

The film highlights the beauty of craft, whilst re-contextualising traditional folk narratives to show the strength and power of the often forgotten members of folk communities.

An experimental short from Oskar Fischinger

Al jet

Holding Space explores the lived experiences of Burmese immigrants in Singapore under the gaze of neighbours in public flats. With a focus on spatial arrangements and housing exteriors, the experimental film challenges the ways architects visualise and instrumentalise their ways of seeing, seeking to hold space for subjective experiences and the subtle yet persistent influences on our domestic interiors.

state. is an exploration of liminal spaces, physical and emotional, from the perspective of a teenager. Unravelling through a desktop screen, the film navigates between different states: physical and digital, reality and whimsicality, and childhood and adulthood.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

The Garden is an experimental work that describes the inner worlds of two sisters manifested through their connection with the garden outside their home. While mourning the passing of their close relative, the sisters encounter a man in the garden, evoking a sense of mortality in one and awakening the sensuality in another. The film was directed by Ong Ann Meng (better known as Meng Ong), who went on to win numerous awards for his short films at the Singapore International Film Festival between 1991 and 1993. His first feature, Miss Wonton (2001), won the FIPRESCI Prize at the Locarno International Film Festival.

Body and Landscape is the exploration of the world of a dancer, who finds in her body the best way to experience the world. Above all, the short film alludes to the cycle of life, where there is a beginning, a middle and an indication of the end. The construction of the film's visual and sound landscape is developed from two narratives, which communicate simultaneously. One that starts with the dancer, who uses dance as the main means of expression and that follows a chronologically organized direction in the narrative and another that starts from visual plans based on nature, without obeying a temporal logic, and that refer to the story by Hans Christian Anderson.

In a desolate, dystopian world where humanity has long been extinct, a robot searches for parts to rebuild a fellow creature while tending a precious oasis - a radiant greenhouse that stands as a fragile testament to the beauty that once graced the Earth. On his journey, he encounters a beetle, forming a valuable friendship. Together, they embark on a journey filled with discovery, bringing hope and connection amid desolation.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning metaphysical thriller combines elements of art house, avant-garde, surrealism, and experimental horror.

Quiet reflections at the end of the season.

Two parents buy an AI infused teddy bear for their daughter. At first the bear seems like the perfect addition to their household, but that all changes when it reveals its true intentions...

Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.

A first-year film student is invited to document an eccentric audio engineer's historic discovery but finds himself more enraptured by the idiosyncratic inventor than the discovery.

TAMAN HUTAN Chapter Four: The Wound Response focuses on the rubber craze of the 20th century through both archival documentation of wages and an interview with Cek Anuan on his grandfather Rasimin who worked with English naturalist Henry Nicholas Ridley. Focusing on the Singapore Botanic Gardens as the site of interaction between colonists and labourers, the film reveals the wounds of those erased from colonial records but who remain inscribed within nature itself.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

After the end of a relationship, a young Belgian woman remains alone in an isolated house and turns silence, repetition, and solitude into forms of existence and resistance to forgetting.

A man, alone in a room, experiences a nightmare of his own

An experimental re-edit of Jack Frost, starring Michael Keaton.