O Voo de Dener
An analysis of the logics of modern schooling and the way of understanding education, while showing different, non-conventional educational experiences that raise the need for a new educational paradigm.
Medicina 70
Globalização e Tecnologia: Impactos no Cotidiano
Enfermagem 50
Os Sonhos da Gente
Esquecidos: crise nos anos finais do Ensino Fundamental
Quando o Brincar Ensina
Medo de Sobrar, Medo de Sonhar
É Arte, São Elas
Tric a Trac - Missão OBDC
Experimental dramadoc about high-functioning alcoholics and problem drinking in the workplace. Based on the testimony of real people, with actors playing out their stories and the whole film mimicking the texture of a witty and gritty observational documentary.
The “Journal Annales” consists of almost 2.000 hours of video footage collected by filmmaker Lionel Soukaz since 1991. For “Carottage”, the idea was to take a random sample from this vast volume, like a geological core sample. The result is a condensed history of political struggles and radical cultural experimentation spanning two decades.
Following Professor Lee White, the Environment Minister of Gabon, and President Ali Bongo as they act to save one of Earth's most vital natural habitats in the face of cartels and corruption.
Six runners face the Superior 100, a 30-hour, 100-mile trail race. How do they prepare and how will it change them?
Documentary commemorating the 40th anniversary of the 'Carry On' comedy film series. Archive clips and out-takes are mixed with interviews with the cast.
Le Pen, l’éternel combat
Churchill, a name typically associated with braveness and altruism. Recently found evidence from Soviet and British sources however brings up questions about Churchill's doings in the conferences of Tehran, Yalta and Potsdam. Why did he agree to give Stalin large parts of Poland? The story of two world leaders in times of war - it is also the story of Poland.
Morning After the Deluge is a large-scale, single-projection video installation, preferably presented in a dedicated room where the projected image is directed onto a free-standing screen. The work features two pieces of real-time footage that the artist filmed in Cape Cod, Massachusetts – one a sunset over the Atlantic Ocean and the other a sunrise on Cape Cod Bay – that are merged together and presented on a continual loop. As the sun slowly disappears into the ocean on one side, it rises out of the water on the other. In this new arrangement, the usual figure-ground relationship is upended: the sun becomes a fixed point at the centre of the image while the horizon line becomes unfixed, slowly wandering across the frame from top to bottom.
Manolito Espinberg: une vie de cinéma