Put More Blood Into the Music

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

With one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt burst onto the 1960s folk rock music scene in her early twenties.

A silent succession of black-and-white photographs of the city of Montreal.

The ups and downs of the popular music world are revealed to a singer.

Mourning his past relationship, heartbroken college senior Austin Caldwell becomes obsessed with the "Big Break" song competition, convinced that the only way he'll be able to move on, is if he wins.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

A documentary on the vaudevillian art-pop band.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

A poetic journey from the darkness of dawn into the brightness of the midday sun in the American South. Filmed over the course of six months on one bus route in Durham, North Carolina, this film is a celebration of light and a meditation on leaving.

Frank Scheffer's (collage like) documentary on the American composer and rock guitarist Frank Zappa, as broadcast by VPRO in the Netherlands April 22,2007. Most of what’s on here is seen before, particularly in Roelof Kier’s 1971 documentary and/or Scheffer’s own documentary “A present day composer refuses to die”. But there is some new stuff too, particularly interviews with Denny Walley, Haskell Wekler, Elliot Ingber and Bruce Fowler.

A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.

The film compiles videos of Argentine cult band Reynols, it shows a diversity of live concerts and various activities over a period of more than 25 years. It's a part of the boxset "Minecxio emanations 1993-2018". The film includes: Saludo Vincher Vinchas (Miguel Mitlag); Colegio Cristoforo Colombo (A. Ruiz and unknown); No Music Festival, The Tonic, New York, 2001 (Mike Shiflet); Flesh Sound Bs. As. (Reynols selected archives); Somewhere near Kingston (Mike Shiflet); Papagayos en la luz (Reynols selected archives); O’Hara Mansion (Dir. Reynols); Fusa (Reynols selected archives); Lo Pawe Recy Plays Norway (Tom Løberg); Camio Flatdas (Reynols); Lor Nindio Pepelacho in Brussels (Christophe Piette).

The film is an observational telling of a watchman in an apartment complex in Guwahati, Assam, India. It blends documentary to explore his alienation and raise the question of empathy vis-a-vis his occupation: its existence beyond what may be referred to as a linear time or the time occupied by the privileged. His time is interpreted as existing in an another time characterised by the banal quality of his job. The film attempts to do away with any narrative control where the subject (the spectator) too exercises a reciprocal gaze on the filmer: by becoming an observer to his own filming, the film's own privileged gaze is confronted.

A group of high school teens steal a van full of music equipment and pretend to be a band called "Truckstop" in order to stay on the road. When the band starts playing gigs, their sound is largely inconsistent and incoherent, however, over time the band becomes increasingly competent in their musicianship.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

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