Featuring exclusive interviews with the leading titans of rock that include: Metallica, Guns N' Roses, Slipknot, Korn, Avenged Sevenfold, Rob Zombie, Five Finger Death Punch, Prophets Of Rage, Greta Van Fleet, Halestorm, and many, many more, "Long Live Rock" is a deep dive into the fandom of this often misunderstood but beloved genre of music.
Filmed on location in Harlem and in Monet’s historic gardens in Giverny, this multi-textured cinematic poem meditates on the bodily integrity and creative virtuosity of black women.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Documentary on the shock rock group "The Mentors".
Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
Espacio Vital
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.
To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life. The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.
Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.
In this film, Will Young travels to Magritte's native Belgium to find out more about the man whose trademark was a bowler hat and whose apparently conventional exterior concealed the mind of a subversive rebel. Will uncovers a childhood marked by tragedy, a marriage that lasted from Magritte's adolescence until his death in 1967, and a stunning artistic legacy which endures to this day.
Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.
Documentary tracing the existence of noted rock band Pavement from 1989 to their final performance in late 1999.
Written in 1967, Sgt. Pepper’s was the world’s first concept album. The Beatles went into the studio, enthusiastically embracing the possibilities for experimentation that were blossoming at the time, and with no intention of playing the album live. Firstly, because they just didn’t feel like it (due to the hordes of screeching fans), but also because it was music that supposedly couldn’t be performed on stage, as it was too complicated. But that music just had to be played live at some point! Now The Analogues’ perform this masterwork live in all its analogue glory—an honor for which no effort has been spared with regards to a truckload of wild and wonderful vintage instruments. There’s a sitar and tabla drums for ‘Within You, Without You’, a rare Lowrey keyboard for ‘Lucy in the Sky with Diamonds’; a harp for ‘She’s Leaving Home’, plus, of course, a huge array of strings and horns. This is The Analogue’s quest to faithfully perform Sgt. Pepper’s live!
In 1966, The Beatles become a pure studio band. Abbey Road Studio 2 will subsequently see an explosion of creativity and innovation in song writing and recording techniques the likes of which has never been seen. It will herald one of the most productive periods ever in the history of pop music. Revolver, Sgt. Peppers' Lonely Hearts Club Band, Magical Mystery Tour, The White Album, Let it Be and Abbey Road: these six iconic albums were recorded in the short space of five memorable years. But...they were never performed live. Until now! The Analogues perform all six of these albums in their entirety, precisely as the records were made at the time, using the same vintage instruments, amplifiers, sounds, live strings and horns. This is The Analogues performing the amazing Magical Mystery Tour. Recorded live at the Chassé Theatre, Breda, Netherlands.
For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
An eight-hour contemplative epic, entirely starring sheep.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.