Put More Blood Into the Music

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).

BURN GENTLY is an exploration into the ins and outs of the music industry, its growth, pressures, expectations and its hardships, through the lens of Australia’s many influential artists, contributors and industry professionals.

Ten years after the release of their controversial documentary Metallica: Some Kind of Monster, filmmakers Joe Berlinger and Bruce Sinofsky catch up with the members of the band at the 2013 Toronto film festival world premiere of their 3D feature film, Metallica Through the Never, using the premiere of the new film as a springboard to reflect upon the legacy of Some Kind of Monster, its influence on the band and their experiences during the decade since its release.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.

About the English musician, composer, record producer, singer, writer, and visual artist, Brian Peter George St John le Baptiste de la Salle Eno, made shortly after his departure from Roxy Music. Featuring the recording sessions for Eno's record "Here Come the Warm Jets". A long lost documentary.

Onesun, one of Korea’s first generation hip-hop musicians, appeared on an audition program. Although he did not make it to the finals, he received great attention for the first time in 20 years since his debut. However, he still delivers packages, and at nights he runs the underground hip-hop club ‘In2Deep’ in Hongdae. Onesun’s life and his club ‘In2Deep’ illustrate the reality underground musicians are faced with.

Underground performance hall in Hongdae. Seven nameless rappers hoped to play hip hop and came to Seoul with a vague dream. However, unlike what they thought, they carry a brick or serve more than they stand on stage. The hopes and goals of these seven unknown rappers are at stake. Monthly rents and various bills that put more pressure on them.

Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

A documentary on the vaudevillian art-pop band.

Three images of a person running in the void through the movement of speed and abstract images

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton

A cinematic meeting point between nature and technology, Doug Aitken’s unearthly short is enfolded in evocative hymns whose voices are eerily AI-generated. Glimmering phone screens might have replaced the starry Milky Way, yet the famous Venice Beach still hums with the vibrancy of human activities.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).