Put More Blood Into the Music

Onesun, one of Korea’s first generation hip-hop musicians, appeared on an audition program. Although he did not make it to the finals, he received great attention for the first time in 20 years since his debut. However, he still delivers packages, and at nights he runs the underground hip-hop club ‘In2Deep’ in Hongdae. Onesun’s life and his club ‘In2Deep’ illustrate the reality underground musicians are faced with.

Underground performance hall in Hongdae. Seven nameless rappers hoped to play hip hop and came to Seoul with a vague dream. However, unlike what they thought, they carry a brick or serve more than they stand on stage. The hopes and goals of these seven unknown rappers are at stake. Monthly rents and various bills that put more pressure on them.

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.

Je m'appelle Régine et je vous emmerde !

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

A group of high school teens steal a van full of music equipment and pretend to be a band called "Truckstop" in order to stay on the road. When the band starts playing gigs, their sound is largely inconsistent and incoherent, however, over time the band becomes increasingly competent in their musicianship.

A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

The film is an observational telling of a watchman in an apartment complex in Guwahati, Assam, India. It blends documentary to explore his alienation and raise the question of empathy vis-a-vis his occupation: its existence beyond what may be referred to as a linear time or the time occupied by the privileged. His time is interpreted as existing in an another time characterised by the banal quality of his job. The film attempts to do away with any narrative control where the subject (the spectator) too exercises a reciprocal gaze on the filmer: by becoming an observer to his own filming, the film's own privileged gaze is confronted.

The film explores the “acute suffering” and transcendent glory experienced by current and former members of King Crimson, allowing the audience an intimate and sometimes uncomfortable insight into the musicians’ experience as they confront life and death head on in the world’s most demanding rock band.