Put Una Money for There

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

Ну, погоди! Волшебная камера

Mr Munnings is printing some posters advertising the Fire Brigade band's forthcoming concert. Captain Flack tells his men to put the posters up around town but where can they put them? Nick Fisher the bill poster helps them out.

While drawing, Rui is surprised by the presence of Epsilon, a mysterious girl with magical powers.

Featuring the characters from Murray Ball's "Footrot Flats" (New Zealands most beloved local cartoon strip), questions to be answered include: Will Wal Footrot win the affections of Cheeky Hobson over the sleazy Spit Murphy? Will the Dog win the affections of the lovely Jess? Will Wal make a good impression on the selectors at Saturday's rugby match? Can Rangi and Pongo save Cooch's prize stag from the depths of Blackwater Station, home of the Murphys, their vicious dogs and deadly croco-pigs? All this and more will be answered as the small town of Raupo comes to life on the big screen.

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

Lotte Reiniger applies her charming cutout animation technique to this early advertisement for the Nivea skin care company.

Several children spend a day in the forest and learn from Smokey Bear the five rules to fire safety.

High in the Swiss alps, get a glimpse into the life of an alpine farming family in the traditional Swiss Poya style. From a slow morning on the mountain herding cows to the harvesting of hay, discover the age-old tradition of summer farming in the alps.

To be born without freedom. Waiting your turn to be crushed into nuggets. It is a matter of choosing: To pray, or kill them first.

Fred Flintstone and Barney Rubble quit their jobs at the gravel pit, drink Busch Beer for inspiration, watch a preview for Busch's advertising in 1967, and take up new positions as bartenders.

This funny yet serious short film demonstrates the effectiveness of advertising and the marketing machine. Its comic appeal lies in the characters and the absurd situations they find themselves in, but it also shines a harsh light on our tendency towards needless consumerism prompted by a steady flow of commercials.

After her werewolf lover unexpectedly dies in an accident, a woman must find a way to raise the son and daughter that she had with him. However, their inheritance of their father's traits prove to be a challenge for her.

This experimental animated short takes a critical look at consumerism in a material world. Thousands of cut-out ads are presented in increasingly fragmented, rapid succession. The film's disorienting and hectic pace seeks to interrogate the extent to which seductive advertising is a shockingly strong force in shaping our desires, needs, and lives in contemporary capitalism.

Glaxo Wellcome Anti-Tobacco Commissioned Film. (23 Sec. )

Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.

From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.

Gary, a musician, is trapped in an unhappy relationship with his live-in lover, Dora. He becomes enthralled with a beautiful seductress who enters his dreams, and tries to control his dream-state so he can spend more and more time with her. When Gary sees his mystery woman's face on a bus billboard, he discovers she is real, and fate brings him an opportunity to meet her.

Summer unveils a new blueberry season in northern Canada. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it's a time of music and connection.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.