Under the Weight of a Waking Dream

In 1995, the Saint Paul de Mausole nursing home in Saint Rémy de Provence opened an art therapy workshop as part of the Valetudo association. A Dutch painter and the nursing staff of Saint Paul accompany women who discover and reveal themselves in the shadow of a certain Vincent van Gogh.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

an experimental short shot completely in black and white and attempts a new technique.

The Simplicity of Two Lives Between the Riot of the World

Walker Evans/America profiles the great American photographer Walker Evans (1903-1975), whose style influenced a entire generation of photographers. He is best known for his collaboration with writer James Agee on the book "Let Us Now Praise Famous Men", which illustrated the plight of tenant farmers during the Great Depression. A pioneer of the documentary style of photography, Evans was the first photographer to have a one-man retrospective at The Museum of Modern Art. His photographs, from southern sharecroppers to New York subway riders, are point-of-view images that reflect his distinctive vision of America. Walker Evans/America contains rare interviews with Evans himself, recorded by filmmaker Sedat Pakay while a student at Yale University in the late 1960s.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

On Pernambuco's Zona da Mata, Northeastern of Brazil, the municipality of Buenos Aires bares the same name of Argentina's capital. A Spanish teacher introduces the characters and places of the city, a landscape of social contrasts with influences from different cultures. Despite no sight of Porteños there, some locals insist on the coincidence by many ways, and develop an emotional attachment to the neighboring country. Soccer games, a hometown team's parade, and the arrival of an argentine strengthen such connections during the 2022 World Cup.

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.

Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.

Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

Al jet

In December 2025, the extraordinary artist Hildegard Knef would have celebrated her 100th birthday. Her life was shaped by numerous talents, an unshakeable will to succeed and the ability to keep pushing herself forward. This documentary sheds light on the life of the legendary actress and singer.

A day in the life of a group of stray cats, who live in a wealthy neighborhood

Rafael França: obra como testamento

A documentary that follows the life of photographer Daido Moriyama in the present, which has never been revealed before. Even though his charismatic presence has reigned over the world of photography since the late 60’s, his true persona had been hidden behind a veil of mystery, since he had refused any major appearances in front of any media in the past. Follow the charismatic photographer Daido Moriyama as he takes his first digital photos and observe his style of quick snapshots without looking in the finder. His stark and contrasting black and white images symbolize his fervent lifestyle.

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.