Scherbenland

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.

The humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former East Germany. At the end of the 80s, they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany's new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to terms with the reason they separated 12 years ago.

An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.

In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of students, artists, bohemians and barflys had flourished among crumbling buildings. Part of that microcosm is barkeeper Frank, semi-formally called 'Herr Lehmann' by friends and patrons. He hangs out drinking, sports utter disregard for anything beyond SO 36 and lazily pursues an affair with cook Katrin. His lifestyle is gradually disturbed, when his parents show up for a visit, things go awry with Katrin and his best friend Karl starts to act strange. Meanwhile, political turmoil mounts on the other side of the Wall.

Götz, the owner of an record shop in Berlin, Kreuzberg, is in love with Aylin.But Aylin is espoused to an turkey doctor named Tarkan. Götz and Aylin are fallin in love and they want to get married. Their Plans first get strong restistance from the turkish parents-in-law and also from the mother of Götz named Helena. Götz converting to the Islam and tries to get a true turk to marry Aylin at the end. After serveral problems and twists they get finally married.

Thomas Arslan's second feature film and part of his Berlin trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the everyday life, domestic conflicts, dreams, and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.

Thies lives in Berlin with his three-year-old daughter Ella and his girlfriend Isa. He has been suffering from depression for quite some time and has tried all kinds of treatments. When Isa is away for a few days for work and Thies has to look after his daughter, he is no longer able to fight his depression. He finally takes his daughter to his in-laws and faces up to his anxiety.

A thief breaks into the bedroom of the three princesses and wakes them up. Her father thought she was raped. In order to preserve the royal family's reputation, her father quietly walked out of the palace to track down the thief. The king knew about it, so he sent a general to find the girls. A crazy and smelly ride begins.

The landscape of the olive grove is the protagonist of the Mediterranean territory and is shown in this documentary at ground level and from a bird's eye view, in different unique locations of the Iberian Peninsula. From the Somontano de Barbastro in Aragón, to the south of Andalusia, with a sea of ​​olive trees, in the mountain ranges or in the fertile plains and riverbanks. A humanized territory that, for centuries, has been sculpting history and this, not only giving a characteristic identity to our landscape, but also outlining the gastronomic tradition and culture of the Mediterranean.

This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.

A group of 20-year-olds whose mothers were pregnant with them when their fathers were killed in the 9/11 attacks and their families talk about their lives.

The festival moment that all people who have PINK BLOOD in have been waiting for! SMTOWN Live 2022: SMCU Express@Human City Suwon is a joint Korean concert held by SM Entertainment artists (collectively known as SMTOWN). It was held on August 20, 2022, at Suwon World Cup Stadium in Suwon, South Korea. The concert was live-streamed via Beyond LIVE and KNTV.

Live from Munich 2009

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, "human" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.

Live from Munich 2004

A legend of mermaids, mere mortals, and sylvan glades. Be transported to a mystical world of water sprites, witches, and wood nymphs. In exchange for love, Rusalka will relinquish not only her mermaid magic, but also her voice.

I am Mad

In Out Of The Rubble, Woolcock shows how planners grappled with the grimmest poverty imaginable in the post-war era, from Brixton to Glasgow, Islington to Birmingham, believing that tower blocks would transform the lives of those living in decaying slums. She follows the cycle of optimism, building and eventual decline, meeting people who 50 years on bear witness to the effects of housing on real families, striking a contemporary chord with the theme of immigration and gentrification affecting working class communities. The irresistible nostalgia of scenes from the 1950s, 60s and 70s is tempered by a realisation of the force of history at work.