A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.
The film follows Tarcísio Amaro, a retired miner living in the vicinity of Serra da Estrela, interweaving thoughts on the past and the present, and looking at the decline of rural life in the deserted Portuguese hinterland.
In this authoritative documentary, director Pierre-Henry Salfati traces the history of the Talmud the repository of millennia of Jewish wisdom. In doing so, he posits the question: What comprises this cardinal text of Judaism? Originally passed down orally from master to student, the Talmud is the hidden face of the Torah, or Old Testament. It is a vast body of legal, mythic, and philosophical texts, and a mixture of religious commentary and debate, of history and science, and of anecdote and humor. No other text has had such an influence on Jewish life as it details the principles, ethical codes, and laws that serve as a guide for conduct. In addition to an exhaustive exploration of the Talmud, the film also guides the viewer through the history of Jewish communities, concluding with present-day New York.
Follows two young women as they decide to leave behind ordinary life and start their journey to becoming nuns.
Life inside an enclosed Carmelite community, including short excerpts of interviews with some of the Sisters of The Discalced Carmelites of Wolverhampton, UK.
The mountains of Oaxaca harbor the remains of a ravaged and burnt shelter, once home to a psychoanalyst priest who used it to look after savage children, trying to re-integrate them into society. Through videotape diaries and interviews, the truth of what happened is shockingly revealed.
After thirty nine days and nights wandering the desert, Jesus suffers the ungodly challenge of the Devil's most bizarre and tantalizing temptations.
A journey through faith in Europe.
After being denied access to the Church of Scientology's headquarters, documentarian Louis Theroux teams up with ex-Scientology official Marty Rathbun to stage re-enactments of alleged abuses within the organization. Theroux soon discovers that the church is watching his every move.
The story of Sally, a ten year old girl whose one wish is to celebrate a memorable Hanukkah despite her Grandmother Jessica’s desire to help her fit in. Or is it Sally who helps Jessica come to terms with growing up Jewish in the Bible Belt?
Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man's God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.
In the small town of Pruchnik in the southeastern part of Poland villagers gather every year on Good Friday to "punish" Judas for his betrayal of Jesus. A larger-than-life straw puppet with a hooked nose is dragged through town, beaten, decapitated, burnt and thrown in the river. The film explores the thin line between pagan and Christian rites while exposing the sometimes brutal and blatantly anti-semitic undercurrents of Christian practice.
Documentary on a politically active group of nuns of Montreal.
Historian Tom Holland looks at the origins of Islam and questions its history and authenticity.
Arga, unemployed for three years, is a constant source of family ridicule every Eid. Pressured by difficult economy, marriage, his younger sibling's college tuition, and plans to sell his grandmother's house, he struggles to find work to prove himself.
After surviving a plane crash a young conservative woman suffers a crisis of faith.
Exploring the life and impact of the greatest spiritual and legal philosopher in Islamic history, this film examines Ghazali's existential crisis of faith that arose from his rejection of religious dogmatism, and reveals profound parallels with our own times. Ghazali became known as the Proof of Islam and his path of love and spiritual excellence overcame the pitfalls of the organised religion of his day. His path was largely abandoned by early 20th century Muslim reformers for the more strident and less tolerant school of Ibn Taymiyya. Combining drama with documentary, this film argues that Ghazali's Islam is the antidote for today's terror.
La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.
An altar boy goes to the city and finds himself in raunchy situations.
Two strangers who both happen to be in marketing, share a room at a bed-and-breakfast when a snowstorm strands their flight in Montana on Christmas Eve.