Espirito do Tempo

During the COVID-19 pandemic, a trans body dreams of the birth of night.

Meryl Streep conducts us to a trip to New York City as presented in many films during the 20th Century, and how its cultural importance and impact are important to viewers. With a comprehensive gathering of clips from films between 1910's and 1990's, the documentary presents the mandatory classic films that presented the city and its multiple cultural variations, situations and the great stories filmed there. Actors and directors also discuss how they view the city in reality and also through the pictures.

Cinema é arte?

"High Fidelity"

Take a virtual stroll down the streets of Glasgow’s iconic Great Western Road.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.

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The newest film by SamHel

A meditation on the inevitable deterioration of certain traditional values that have been established (or destroyed) throughout civilization. This elegiac account uses symbolic representation from natural elements in order to convey the inevitability of remembering the social and cultural erosion, and places a layer of texture in front of the elliptical glimpses of imagery, separating the viewer from the past. The re-occurring image of flames remains untouched by the erosion aspects of reticulation, ultimately alluding to nature's powerful quality.

A dream can send one's mind to many different places. Places that defy the rules of time and space. In this Short experimental film created by Tristan Audet, you will explore the depths of the subconscious, a place where nothing is as it seems.

Emir is sleeping at his girlfriend Seren's house. Seren wakes Emir up and tells him that she is going to the hairdresser. Emir does not want to be alone because he was kidnapped in the past. He tries to convince Seren to stay with him, but he fails. Shortly after Seren leaves the house, Seren's neighbor Eren appears at the door. Emir remembers the voice of Eren. Eren is the person who kidnapped Emir in the past. Emir waits for Seren in fear. Seren comes back after a while. But Eren never acts suspicious. Seren tells Emir that he was not kidnapped, that they were all in his head, that he had suspected others before, and that they could no longer see them. The reason they couldn't see them is that Emir himself kidnaps the people he thinks kidnapped him. And his last victim is his neighbor Eren.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

A collaboration between Kadet Kuhne & Alba G. Corral.

The light and the noise stain the dark night.

A document of energy forms in states of vibrating transmutation, this audio-visual composition uses LEDs, strobes and torches to create a mechanical "light-score."

An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.