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The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.

This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.

PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich

A movie about the history of the Gustavsberg porcelain company.

Au nom de la mer : vers une pêche durable ?

History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals. The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.

Canada is facing a housing crisis, and cooperative housing might be a part of the solution.

Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.

Společně k cíli

This documentary aims to show that it is impossible to address the care crisis exacerbated by Covid-19 in the Basque Country unless care work is distributed and dignified through transformative cooperativism.

Set in a Burkina Faso organic cotton weaving cooperative, a cacophonous cotton-spinning apparatus eats, digests, and takes a breath. Threads become the organs of a whirling, burping, guzzling machine animated by hands, looms, vats, cogs, and feet. Where does the machine end and the body begin? The weaving cooperative promises equitable remuneration for workers in an industry beholden to its colonial predecessor: today, Burkinabè cotton farmers live in permanent debt to cotton companies financed by European capital. By focusing on the repetitive labor unfolding within a cooperative that claims to serve its workers, Everything Here Holds Its Inverse examines the tension between empowerment and evolving oppressions. Can the ties that bind and define also set free?

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

A documentary about Margaret Cho's homeless outreach campaign inspired by the philanthropy of Robin Williams. After the death of her friend Robin Williams, Margaret Cho took to the streets of San Francisco with the mantra "Don't grieve Robin, BE Robin." What started as Margaret busking on the corner with a bag of socks and a guitar case, rapidly turned into hundreds of musicians, comedians, and homeless advocates spreading food, clothes, money, and awareness in an amazing humanitarian street theater experience. The film that captured these events, is not only entertaining, but deeply moving and above all else inspiring.

This heartwarming and at times touching documentary chronicles the preparation, experience, and aftermath of the University of Nebraska at Omaha's Black Studies Department, students, and community persons as they embark upon the inauguration of President Barack Obama. A mixture of cinema verity and interview, this documentary provides an eyewitness accounting of the event through emerging primary stories representative of a broad array of cultural and occupational backgrounds. It is the cinematic documentation of the joy, the laughter, and the tears as 55 passengers board a bus and travel over 2,000 miles for an experience of a lifetime.

“The Fallbrook Story,” is a 20-minute film of Cold War-era uneasiness in which director Frank Capra rails against what he calls the evils of Big Bureaucracy. In 1951, Capra lived in Fallbrook, California on his 1,000-acre Red Mountain Ranch farm filled with olive groves. The federal government, which had purchased the old Rancho Santa Margarita land in 1941 to build Camp Pendleton, was concerned that ranchers upstream would take or pollute the Santa Margarita River, which ran through Camp Pendleton. Capra’s film documents how Fallbrook residents fought back against the federal government.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1939.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1940.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1946.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.