Fire, Clay & People

The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.

Document about the history and production of Czech porcelain.

History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals. The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.

This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.

Společně k cíli

The Cooperative Movement in Barquisimeto (CECOSESOLA) emerged as an alternative to the outrages against the people and their inability to afford a decent burial for their relatives.

Au nom de la mer : vers une pêche durable ?

Canada is facing a housing crisis, and cooperative housing might be a part of the solution.

This documentary aims to show that it is impossible to address the care crisis exacerbated by Covid-19 in the Basque Country unless care work is distributed and dignified through transformative cooperativism.

A little cat witnesses the passing of his family.

PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich

Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.

A passionate porcelain salesman finds himself faced with a slight problem that threatens his store.

An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.

Set in a Burkina Faso organic cotton weaving cooperative, a cacophonous cotton-spinning apparatus eats, digests, and takes a breath. Threads become the organs of a whirling, burping, guzzling machine animated by hands, looms, vats, cogs, and feet. Where does the machine end and the body begin? The weaving cooperative promises equitable remuneration for workers in an industry beholden to its colonial predecessor: today, Burkinabè cotton farmers live in permanent debt to cotton companies financed by European capital. By focusing on the repetitive labor unfolding within a cooperative that claims to serve its workers, Everything Here Holds Its Inverse examines the tension between empowerment and evolving oppressions. Can the ties that bind and define also set free?

Directed by Zbigniew Gniazdowski and Aleksander Hertz.

Prosecutor Olsen's lover, the singer-songwriter Betsy, leaves him for a new passion. And he, speaking in court as a prosecutor, remains deaf to the dictates of feelings, a ruthless servant of the harsh Law. Some time later, Betsy kills her new lover in a fit of jealousy; Olsen, who retained his feelings, nevertheless becomes her accuser at the trial. He seeks the condemnation of Betsy, but comes to the realization that he lived unrighteously, allowing himself to be judged, becoming a servant of Themis. Exit in the classic tradition of the great mute: Olsen commits suicide.

Getsel, a wandering Purim player, comes to a Galica village and gets a job with Reb Nuchem, the shoemaker. He falls in love with Esther, the shoemaker's daughter, but knows she is in love with a wandering circus player. However, Getzel is content in his work and dreams. Esther's father inherits a fortune and attempts to marry her to a man of his choice, but she flees with Getzel to Warsaw, where he meets and marries the circus player. Getzel returns to the village and is blamed for Esther's disappearance until she shows up and explains what happened. Getzel shoulders his pack and wanders on to another village.

Renee Unger (Kris Carr), a good wife and expectant mother, lives with her husband, Eric (Timothy Altmeyer), in a quiet Ohio town where there aren't many secrets. But everything changes when Eric's younger brother, Colson (Todd Swenson), recently released from prison after turning 21, comes to live with the family. Colson's strange behavior starts to unnerve Renee, while Eric clams up at any mention of why his brother was imprisoned. As the mystery deepens, so does Renee's sense of dread.

This Czechoslovakian children’s film takes place during the last days of the Austro-Hungarian empire. The young son of a horse trainer loves nothing more than riding his horse, until he is stricken by polio…