Fire, Clay & People

The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.

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History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals. The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.

Une certaine histoire du cinéma expérimental français

This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.

PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich

Canada is facing a housing crisis, and cooperative housing might be a part of the solution.

A little cat witnesses the passing of his family.

Document about the history and production of Czech porcelain.

The Cooperative Movement in Barquisimeto (CECOSESOLA) emerged as an alternative to the outrages against the people and their inability to afford a decent burial for their relatives.

A passionate porcelain salesman finds himself faced with a slight problem that threatens his store.

Set in a Burkina Faso organic cotton weaving cooperative, a cacophonous cotton-spinning apparatus eats, digests, and takes a breath. Threads become the organs of a whirling, burping, guzzling machine animated by hands, looms, vats, cogs, and feet. Where does the machine end and the body begin? The weaving cooperative promises equitable remuneration for workers in an industry beholden to its colonial predecessor: today, Burkinabè cotton farmers live in permanent debt to cotton companies financed by European capital. By focusing on the repetitive labor unfolding within a cooperative that claims to serve its workers, Everything Here Holds Its Inverse examines the tension between empowerment and evolving oppressions. Can the ties that bind and define also set free?

An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.

A homeless single father and musician gets the opportunity to finally showcase his talent, but first, he must overcome his stage fright.

Based on Sarat Chandra Chattopadhyay's classic 'Datta', Banamali proposes his daughter Bijoya's hand to his childhood friend's son, Narendra. But, Bijoya is attracted to Bilas and has always been skeptical about Narendra. However, when Bijoya meets Narendra, her feelings take a turn towards the unexpected.

Guilherme lives in a rich neighborhood in Rio de Janeiro and his girlfriend is the daughter of a respected lawyer. Behind his upper-class habits, he cooperates with corrupt policemen providing information to them. Things change when he finds out that a close friend has problems with a dangerous gangster.

Helena, a recently graduated psychologist, finds her father being taken away by Death – hood, scythe and all, tired of all the bureaucracy of his work. In order to convince the shadowy entity to give up on her father's fate, Helena invites Death to a therapy session.