Kenkaku Shōbai: Tsujigiri

Genjiro was a samurai in the past, but he became a Yakuza, a dandy with a tattoo of red peonies, he helps his younger brother who is caught up in a conflict with Hatamoto.

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.

A ronin named Azami Onijuro travels the Nikko Highway, he is being followed by the bounty hunter Daihachi and Yukata Danzen. He is pursued by his past as a covert spy under Lord Matsudaira. Due to certain circumstances, Onijuro betrayed him and became a wandering ronin. Ever since, he's been hunted by Matsudaira's subordinates and bounty hunters. After saving the tough and fiery woman Omom from yakuza trouble, Onijuro and his companions head to Akame-shuku (inn town). Here, a conflict brews between the Tsurugame family led by Genroku and the lawless monk group led by Tetsuzan, a former sumo wrestler gone rogue. Onijuro sides with Tetsuzan, while Daihachi and Danzen side with Genroku. This intricate web of allegiances and confrontations unfolds against the backdrop of the bustling post-town.

The masked avenger Kurama Tengu is linked to a plot to bring down the Tokugawa shogunate, but is it really our hero, or an imposter?

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

Oda Nobunaga (1534–1582) was a major daimyo during the Warring State period of Japanese history. He was the second son of Oda Nobuhide, a deputy military governor with land holdings in Owari province. Nobunaga lived a life of continuous military conquest, eventually conquering a third of Japanese daimyo before his death in 1582. Telling the story of his rise to prominence as he leads an army of 4,000 men against the 40,000 troops of Lord Imagawa Yoshimoto to prevent the arrogant daimyo from crushing the Oda clan and taking control of the entire nation. From a newly restored anamorpic widescreen print, this is the ultimate warlord movie.

Orphaned Kiku was raised at a Buddhist temple and learned theatrical arts and martial arts as a child, which were used to put on stage productions to raise money for the temple, but also to display young lads who were essentially for sale to the highest bidder. When Kiku gets fed up with how the temple uses the orphans and wants to leave he gets accused of a double murder and has to flee for his life and liberty.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

A pair of black-robed thieves who robbed many wealthy merchants in Edo one after another. One of them is a young woman who is called "Aoi no Kozo" because she always takes off her skin to show the tattoo on her back. The target of the robbers was the Kogi, and in particular, the big stores that were under the control of Hotta Bizen. Itami Hanzo, a Doshin known as "Kamisori Hanzo" discovers when he tracks down the Aoi no Kozo! What is the truth?!

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.