Woman of Tokyo

Aava has but one wish: to get a dog. Meanwhile, her parents' marriage is falling apart.

It's the day before Christmas, the day before John's 21st birthday. He's a prostitute on Santa Monica Blvd in L.A., and he wants to spend that night and the next day at the posh Park Plaza Hotel. Meanwhile, Donner, a lad new to the streets, wants John to leave the city with him. John spends the day trying to figure out how to deal with Donner's friendship.

A whirlwind romance between a Danish storeclerk and an American G.I. in Copenhagen takes them to a dance club base for prostitutes, whom she befriends and whose pimp he antagonizes.

A man remembers forty-eight crucial hours in his life when, as a child, he visited his mother, the favorite woman of an important politician, in a bordello owned by him, right before some important political changes in 1937 Brazil. In those hours, he discovers his own sexuality.

Father KIM and Hyung-woo, a sixth-grader, travel together to the quiet village of Boriwool. Kim is going there to start his priesthood as pastor of Boriwool Church, Hyung-woo to see his dad Woon-ahm, who left his family six years ago to become a Buddhist monk. Hyung-woo feels awkward with his dad and becomes bored with living in the country. Father Kim also finds some of his flock quite antagonistic to him. Meanwhile, the village kids coached by Woon-ahm play the church orphans in a soccer match. After the orphans are beaten soundly, Father Kim begins coaching them...

A hooker named Flame (Candy Samples) teaches her teenage daughter Flower (Suzanne Fields) the tricks of the trade in this soft-core film.

Lasse Pöysti's directorial debut film. And Helena Plays On (1951) is based on Aino Räsänen's second novel of the same name in the Helena series. When the Winter War breaks out, Arttu (Jussi Jurkka), the son of Helena (Irma Seikkula) and Jari Junkkeri (Erkki Viljos), go to the front. Arttu proposes to his girlfriend Elina (Leena Häkinen), but the world events come in between. When he is not heard of at the end of the war, the relatives begin to believe that Arttu is dead - everybody else but not Helena.

A woman falls victim to a dominant mafia boss, who imprisons her and gives her one year to fall in love with him.

Clemente, a moneylender of few words, is a new hope for Sofía, his single neighbor, devoted to the October worship of Our Lord of the Miracles. They're brought together over a new-born baby, fruit of Clemente's relationship with a prostitute who's nowhere to be found. While Clemente is looking for the girl's mother, Sofía cares for the baby and looks after the moneylender's house. With the arrival of these beings in his life, Clemente has the opportunity to reconsider his emotional relations with people

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

A naive young woman looking for fun stumbles upon strange neighbors living in the same apartment building which she resides in. They start her off with a career in nude modeling, but in actuality turn out to be a ruthless brother and sister team who spearhead a kinky "girl renting" business for eccentric rich folk who get their jollies out of bondage and "whipping little girls 18 to 22".

A drug-addicted girl from an abusive family finds hope through kind people but her grim reality strikes back just as she sees a glimmer of light.

A routine trick propels a tall, dark, cynical hustler into a series of life-changing encounters in this drama. But this amicable and sexually efficient rent boy begins to look at himself differently when he finds himself lost in a maze-like apartment building. As he wanders through the building, he tricks with a variety of johns; sex is the commonality, but out of that commodity comes raw, unguarded emotions for all.

A tough gang of teenage girls are looking for love and fighting for turf on the mean streets of the city! Bad girls to the core, these impossibly outrageous high school hoodlums go where they want ... and create mayhem wherever they go!

With the one, big, happy family that she has, any woman would admire Ina Montecillo as the embodiment of a perfect mother. But after more than 30 years of doing everything for her family, she realizes she hasn’t done anything for herself. Ina then embarks on a journey of finding her self-worth that surprisingly lands her as the President of the Philippines!

The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.

In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory.

High-class prostitute Bella works for hotel manager TT with Sara, Lulu and Cindy. However, Bella misses the ordinary life and love of her youth Timo, who is a hockey player on the team owned by TT.

Gothic film in a monastery, where sensual monks murder the children they receive, with images of fantastic, painted from the author own painting and also from the Hammer films and the Saxon plastic tradition of romanticism.

Crista, Berta and Sole, are three young people who feel exploited and discriminated by society.