La hormiga de Hiroshima

A story about the effect of the atomic bombing of Hiroshima on a boy's life and the lives of the Japanese people.

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

In 1945, the second- and third-year students of a Hiroshima girls' school are taken away to work in war factories. The remaining 220 girls of the first year try to make the best of their new-found status as the only teenagers in an almost deserted town, even amid the deprivations of wartime. On the seventh of August, an American bomber changes their lives forever. Broadcast on the 43rd anniversary of Hiroshima in memory of "the girls who lost their lives to the atom bomb." (Source: Anime Encyclopedia)

Akiko Takakura is one of the last survivors of the Hiroshima bomb. During Obon, she receives the spirits of her parents and is haunted by memories. Finally Akiko experiences paternal love in the middle of the ruins of Hiroshima.

Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…

August 6th 1945 a new sun rose over Hiroshima. Time froze as the atomic bomb Little Boy detonated.

Même le vent semble pleurer

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

After spending eight years in prison for murder, Hiroshi leaves his yakuza family to start a new life as a labor racketeer.

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.

This was the only documentary made in the aftermath of the atomic bombings of 1945. Japanese filmmakers entered the two cities intent on making an appeal to the International Red Cross, but were promptly arrested by newly arriving American troops. The Americans and Japanese eventually worked together to produce this film, a science film unemotionally displaying the effects of atomic particles, blast and fire on everything from concrete to human flesh. No other filmmakers were allowed into the cities, and when the film was done the Americans crated everything up and shipped it to an unknown location. That footage is now lost. However, an American and a Japanese filmmaker each stole and hid a copy of the film, fearful that the reality of Hiroshima and Nagasaki would be hidden from history. Eventually, these prints surfaced and became our only precious archive of the aftermath of nuclear warfare -- a film that everyone knows in part, yet has rarely seen in its entirety.

Historical fiction about the aftermath of the atomic bombing of Hiroshima, Japan, on 6 August 1945, and its effects on various civilians, especially children, of that city.

Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.

During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.

At 89, Doctor Hida, a survivor of the 1945 atomic bomb at Hiroshima, continues to care for some of the other quarter of a million survivors. Atomic Wounds retraces his dedicated journey and highlights how the terrible danger of radiation was concealed by successive American administrations in the 50's - 70's so that nuclear power could be freely developed, with no concern for public health.

As Japan gears up for the 1964 Olympic Games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.

Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.

Based on the International Military Tribunal for the Far East of 1946–48, depicts Japanese prime minister Hideki Tojo as a family man who fought to defend Japan and Asia from western colonialism but was ultimately hanged by a vengeful United States.