Moving Up in Amateur Radio

Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.

Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.

The adventure of the minitel, a small cubic terminal with a folding keyboard that began in the 1970s in the labs of France Telecom, is closely linked to Alsace. Alsatians had then in hand the future tools of interactive communication. What remains today of all those minitel years? Like a nocturnal and intimate road-movie, this documentary went to meet the last people who are still interested in the minitel, this strange beige box of access to telematic services, corny today, but pioneers at the end of the last century.

The history and enduring legacy of one of the world's biggest and most influential radio stations.

Lurking under the sea is a global web of fibre optic telecommunication cables, the plumbing of the internet. It's how we talk, text and stream, connecting billions of people. These cables are also the frontline of a tech war.

In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.

A dramatization to promote the Territorial Army.

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.

Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.

Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.

Století rádia

Supernana, David Grossexe, Simone Cuisse d'Acier, Jean-Yves Lafesse occupy during three nights of summer 82, with their guests, Radio Carbone locals, one of those numerous « free radio » created in France at this period.

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.

Rapper Rodney P. presents the story of Britain's second wave of pirate radio DJs. In the 1980s a new generation of pirate radio stations appeared broadcasting from London tower blocks.

The film discusses the evolution and potential of using light waves, particularly coherent light, for communication. It highlights the development of lasers at Bell Telephone Laboratories, explaining how they produce a highly controlled and intense beam of light that could revolutionize communication. The film emphasizes the vast possibilities of lasers, including applications in telecommunications, surgery, and exploring the universe, suggesting that this technology represents a significant step in humanity's understanding and use of light.

Låten från båten

107.9 The End was an innovative radio station in the Alt-Rock days of the 90s in Cleveland, Ohio. After the telecommunications act of 1996 however, the station found it self in the hands of different owners. This film tells the story of the station through the people that lived it, the disc jockeys and staff.

The story of legendary New York City disc jockey Bob Fass who pioneered free expression on the airwaves with his long running FM program 'Radio Unnameable'.