Ogni volta che il lupo
Documentary about animator and artist Gerit van Dijk. The film follows van Dijk as he works on his film ‘I Move, So I Am’.
Cecil B. DeMille, l'inventeur du blockbuster
See how the VeggieTales episodes are made! Plus, hear the heart and purpose of VeggieTales from the creators, Phil Vischer and Mike Nawrocki, as they sit down for an entertaining conversation with Matt and Laurie Crouch.
A documentary about a cat cafe for a film class
A documentary on the life and career of filmmaker Edward D. Wood Jr., with clips from his films and interviews with the cast and crews of some of his films.
A short animated documentary exploring the immigration experience through the eyes of children learning how to swim with clothes on in the Netherlands.
Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."
A bold reveal of a rose tattoo opens this 1980 documentary on tattooing in New Zealand. The potted history includes visits to tattoo parlours on K' Road and Hastings, and the studios of industry legends Steve Johnson and Roger Ingerton. Tattooists discuss public stigma, people's reasons for getting inked, and popular designs: sailors, serpents, swallows and tā moko. Made for documentary slot Contact, Skin Pics chronicles a time when "folk art has become high art".
Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.
A documentary about Cologne through the pre-war years until the 1930s.
The different life paths of former girlfriends from Catholic and Protestant homes respectively - one a draftswoman, the other a chemical laboratory technician - in two interrelated films, in which love, like the demands and attitudes to life in the change of its foundations in the process of the decline of the GDR and its accession to the Federal Republic of Germany, play a special role.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
Alois Diethelm-Signer from Sattel is the last Swiss tree ladder maker. He has been producing tree ladders for orchards since 1966. He used to make up to 300 ladders a year, but today he still makes a good 40. Despite declining demand, he continues to work, supported by his wife, out of a love of the craft.
This documentary takes the viewer on a journey along Halsted Street, from the southern tip of Illinois, north through various Chicago neighborhoods, to the end of the road at Broadway in Chicago's Lakeview neighborhood.
The Ocean of Tears is a 2012 Kashmiri short Directed by Billal A Jan documentary film produced by Rajiv Mehrota under the banner of Public Service Broadcasting Trust of India. The film is a documentary of the crimes and human rights violations impositioned on the people of Kashmir especially on women.
Younost, une jeunesse russe
Documentary about women without papers, living in Germany and working as maids.
Monster Truck Drivers Dave and Becky learn all about monster trucks, and learn how to drive one.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.