Composed of three episodes—titled Kali, Shakti, and Devi—and linked within a narrative framework, it tells the story of the Taylor-Eriksson group, its members, and their extreme practices in search of awareness and liberation from karma. These practices, spiraling into violence and sex, ultimately turn into real nightmares.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
Lord Lytton takes up the post of Governor of Bengal.
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.
Suddha depicts the death of the feudal system that existed among the Tulu speaking community in coastal Karnataka for many years, and the impact of The Land Ceiling Act, which was ushered in during the sixties and seventies, on its social structure. It is the story of modern India - of changing caste equations and a realisation of this reality among the land owning class, albeit a bit late. Though the film is set in a remote village near Mangalore, it could well have happened in any other village elsewhere in India. An ex-landlord family comes to terms with the fact that they are living in their last leg of feudal existence when it cannot perform a last rites in a grand manner in which it was once used to.
The passage from adolescence to youth is a phase during which a girl emerges in a distinctive period of her life to another significant phase. Most often there is a synchronous transition in her physical state with that of her emotional state of mind. This film poignantly depicts such a transition in a girl's life. Her changing attitudes towards her playmates, and objects around are brought out very vividly in this film.
Rocket Singh: Salesman of the Year is the sometimes thoughtless, sometimes thoughtful story of a fresh graduate trying to find a balance between the maddening demands of the 'professional' way, and the way of his heart - and stumbling upon a crazy way which turned his world upside down, and his career right side up. Welcome to the world of sales boss!
A man leaves his house. Another applies for leave in his office. A third finishes his tea. Another gets himself shaved. All four are fresh entrants in the world of crime: kidnapping to be more precise. But the father of the kidnapped boy refuses to pay up. The son has already played this trick before and collected good ransom. The father does not believe this time it is a real thing; The kidnappers get desperate. The son has in idea. The plot thickens.
Two zanies open a photography studio. They score a partnership with a gossip magazine that suddenly thrusts them into a world of corruption, murder, and hijinks.
A husband and wife recall an event when their love was tested amid Punjabi pre-wedding customs, as their family continued to create a scene due to cultural and racial differences, which persisted despite the customs.
Marigold Lexton, an American actress who gets stranded in Mumbai and lands a minor role in a Bollywood musical. She meets Prem, the film's choreographer, and undergoes a personal transformation as she experiences Bollywood firsthand.
Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.
The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
Vikram and his American wife Anna travel to India to meet Vikram's estranged father. The small town of Ooty is oddly familiar to Anna who becomes haunted by visions of a murder that happened thirty years ago.
A guy tries to discern what's happening, as he suffers from a series of recurring nightmares of being followed by a mysterious being.
When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.
Bunty and Babli are two young people who randomly meet each other after running away from their homes to chase their dream. After facing hurdles in their path they decide to take up conning and soon become the best con artists in the country. However, their success is threatened as a relentless cop is on their trail.
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.