Indian Elephants in the Service of Man

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

Africa's Deadliest Game

Great Manned Lion of the Moyowosi

One night in December 1995, 4 tons of weapons fall from the sky over India. A few days later a Danish man returns to Denmark with a grave secret. Only when an English arms dealer is arrested in India and faces death sentence, does the Dane appear in the large-scale international investigation of the case. With reconstructions and scenes resembling a feature film, the docu-thriller The Arms Drop tells the nerve-racking story of two men who gamble their lives on a joint mission with each their secret agenda, and the political, personal and diplomatic consequences 20 years later.

The inspiring story of a young Indian Muslim woman who trades her burka for dreams of playing on the Mumbai Senior Women's Cricket Team and how the harsh realities for women in her country creates an unexpected outcome for her own family, ultimately shattering and fueling aspirations.

It delivers enough venom in one bite to kill a hundred people, yet it solely preys on other snakes. Through rare footage follow the King Cobra on its journey throughout the rainforests of India seeking food and a mate.

Meru is the electrifying story of three elite American climbers—Conrad Anker, Jimmy Chin, and Renan Ozturk—bent on achieving the impossible.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

The story of the short life, and brutal gang rape and murder in Delhi in December 2012 of an exceptional and inspiring young woman. The rape of the 23 year old medical student by 6 men on a moving bus, and her death, sparked unprecedented protests and riots throughout India and led to the first glimmers of a change of mindset. Interwoven into the story line are the lives, values and mindsets of the rapists whom the film makers have had exclusive and unprecedented access to interview before they hang. The film examines the society and values which spawn such violent acts, and makes an optimistic and impassioned plea for change.

American Christian missionary John Chau was murdered when he tried to illegally contact and convert some of the world’s last uncontacted indigenous people. Through exclusive interviews and archival footage of John’s journey, THE MISSION explores themes that strike deep at the heart of religion, colonialism, and anthropology, questioning where we draw the line between faith and fanaticism, exploration and exploitation, imagination and destruction.

The Run is a feature length documentary film which follows Australian Pat Farmer’s test of human spirit and behind the scenes drama as he runs the length of India – 80 kilometres a day for 64 days with the backdrop of colourful, enchanting, challenging, organized chaos of India, which will saturate your senses.

Five Kiwis take on a paragliding adventure in Tanzania, with the ultimate aim to fly from the summit of Mt Kilimanjaro.

A passionate conservation biologist brings together a river bushman fearful of losing his past and a young scientist uncertain of her future on an epic, four-month expedition across three countries, through unexplored and dangerous landscapes, in order to save the Okavango Delta, one of our planet's last pristine wildernesses.

Thomas de Dorlodot and Horacio Llorens journeyed for a personal adventure across the Himalayan mountains. They covered roughly 350km and became the very first paragliders to fly over Rohtang Pass.

Curiosity and Control examines our complex relationship to nature itself. A multi layered look at the world of Museums of Natural History and Zoological gardens, with voices from historians, authors, architects and zoo managers. It raises questions about how we perceive nature and our contradictory behavior of caging what we fear may be lost.

"Visionary post-war modernist Tyeb Mehta channels the nightmares of the nation in Koodal, at once the artist’s self-described “autobiography” and a profound meditation on collage, crowd control, cinematic subjectivity and the violence buried within every glorious act of foundation." -- Sarkari Shorts