FASCISM(s): A Film in Six Parts

Budapest in the 1930s. Restaurant owner Laszlo hires pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody sets off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans falls in love with Ilona as well.

3IRTH

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

The Tiger God project originated during the artist’s residency at Cien Art Village in Hualien in 2021, inspired by a Sikawasay (Amis priest) who said a concrete tiger carried a soul. The work explores encounters between Han folk beliefs and Amis spiritual traditions, reflecting on suppressed indigenous histories in eastern Taiwan under colonial and religious forces. Nighttime fireworks symbolize external impacts on the land, linking concrete animals, mining, and colonial imagination. The ritual opera returns the footage to the land and gods, weaving ritual, research, and reflection into a narrative about silent objects and memory.

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

In the rural desert of Bolivia, where the most important presence is the wind moving between papa flowers and animals, the people who harvest the land, those who built the ancient artifacts and sacred objects and the musicians who play moseñada – songs linked to the first products of the harvest – on the streets of the city have one point in common: labor. With a successful inclusion of stories of enchanted lakes, legends that pass from mouth to mouth – or from orality to audiovisual, in this case – and give a fantastic aura to those lands, Luciana Decker Orozco not only manages to capture life without oscillations . field, but resorts to the incessant movement of images and sound accompaniment to define a sensory and transcendental experience for the viewer.

A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.

An American family visits a concentration camp in Germany. At the museum, the father makes the acquaintance of an older man who questions his prejudices.

A girl and an older man discuss the nature of reality while doing chores on a pig farm.

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

Two friends await in the airport for a third friend to arrive. As the passangers come by, pictures not taken accompany a conversation between the two friends.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

Reenacting the suicide episode of the last Ming emperor, Chong-zhen from the classic Cantonese Opera Floral Princess, this experimental short film blending Cantonese Opera and modern dance elements reveals the journey of the defeated emperor accompanied by his faithful eunuch, Wang Sing-yan, on their way to the summit of Coal Hill to end their lives. Apart from inviting new perspectives towards their ambiguous queer overtones, it also explores the crossroads of life and death, authority and obedience, love and sacrifice, power and duty, that befall under the traditional patriarchy.

Iris Anderton, gifted with the ability of foresight, abuses his powers to win fights. But when he faces an opponent he cannot beat, he becomes trapped in an endless cycle of violence.

A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.