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C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

A dystopian southern sludge that transgresses even the gothic sensibilities that exist just below the surface of the social fabric of the deep Louisiana culture visible here. Following the sudden death of their friend Shep, Kristopher and Ryan quickly grow less attached to reality. As they wander the southern landscape of Louisiana, they descend into a state devoid of hope and order; a place where life and death are one and the same; a land where we are all doomed. The aesthetic artifacts of the video tapes and the vernacular wanderings caught on them present a rip-it-up-and-start-again style montage of life caught in the vise of western culture at the dead end of of the first world.

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

Ma bande magnétique arrière

Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memories that have been tainted by earworms, bad comedy and the far-right pipeline. Gaze upon the endless landscape, or gaze upon the endless thirst traps.

Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

A short film about the Nicholson School of Communication and Media building at the University of Central Florida.

Dan and Phil’s stage show "The Amazing Tour Is Not On Fire" comes to YouTube as a live performance movie on October 5th! Inspired by the best of their videos, live and interactive with a real audience—along with some surprises you’ll never see coming.

¿Por qué la gallina cruzó el camino?

A dare from Swedishllama (UrolithicOak)

A real initiatory journey that, through the discovery and the story of myths, legends, inexplicable events and macabre details, will lead the viewer and the conductor to confront each one with their own fears.

Be it as ‘Unreal Tournament Kid’, ‘KeyboardCrasher’, or ‘Angry German Kid’: Almost everywhere across the world this video of a youth who freaks out whilst playing on the computer and destroys his keyboard is known. Many still share it today as a meme when chatting without knowing that it was staged. Also: the young guy never uploaded the video himself. Powerless, he had to witness how it was shared and distorted countless times – how it destroyed a part of his life. Now, for the first time, Norman Kochanowski speaks with ZAPP about his story and the consequences of virality.

A good feast in the countryside.

Shot on three cameras over the life cycle of one snowfall, Decaying Vessel is an expression of transness and the feeling of being stuck in a body bound by time.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.