El Horror de tener un cuerpo

Soon after getting married, couple Maya and Andi begin to experience eerie disturbances from unseen malevolent forces.

The Silhouettes Soul, created for the Fearscreen 48 Hours Later Winter Challenge 2026, follows Kali as she slowly begins to lose herself, confronting a dark presence that may not be separate from her at all.

Jefri and Sarah are an adulterous couple now desperately trying to create an alibi after the corpse of Sofia, the lawful wife they murdered, mysteriously disappears from the morgue. Arya Pradana, a police investigator, uses all his logic to uncover the truth. Has the corpse come back to life to take revenge on her killers?

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

When a friend calls in the middle of the night, anybody would worry about the reason. Hesitant and curious, a friend embarks on a journey with an unknown destination. His only clues are a shovel in the back and the stoic expression worn in the driver’s seat

Untitled

Superstar

Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.

Having just lost her mother, Anna finds herself facing a nightmarish situation...a fur monster appears in her home. She will have to live with this strange being.

Strange experimental short film that follows four days of a writer.

13 figures de Sarah Beauchesne au 71, rue Blanche

Azimuth

A surreal meditation on chronic illness and anxiety, Prion follows a character's struggle with self-acceptance as their fears manifest in the form of a sickly, white deer.

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

A gang of small-time criminals has everything under control in the quiet little municipality of Bikkert, a place where no one would ever imagine anything sinister happening behind the scenes. But things are about to change when the arrogant mayor announces a new construction project in the very forest where Benny and the Brits have hidden a body. Now, the gang must act fast, before a construction site becomes a crime scene.

A poor accountant, in order to raise money for his marriage, finds a second job in a luxury hotel where he accepts to change his name and life with a rich playboy who wants to try if women want him for his money .

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

Jagoda and Zuzia giggle in the opening scenes in the way that only 11-year-old girls can. Together they are the center of their own changing world. On the face of it, not much happens in the lives of these Polish best friends, but big changes are on the way. The end of primary school is in sight, and the girls are impatiently awaiting first love, budding breasts and first periods.

"Prelude to an Announced Death" (5', 1991) is the artist's final work, completed shortly before his demise. It is one of the rare moments in which França's work in video assumes a quasi-documentary character. Set against a dramatic rendition of "La Traviata" by Brazilian singer Bidu Sayão, the artist's body touches that of his partner, Geraldo Rivello, as the names of all their friends killed by AIDS scroll across the screen above them.

Amina lives with an invisible chronic illness that has imprisoned her in an exhausted body. To better understand this elusive illness, her brother Liam makes her a room of her own where she can exist as something other than a patient.