Salt, Saliva, Sperm and Sweat

A webcam tunes the body. The corpo-reality of the image in the process of transmutation.

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

On February 12, 2021, Maya and Andi got married after going through a month-long Taaruf process. Right after moving into their new home and starting their life together, they began to experience strange occurrences. They started finding dead animals in the house, heard sounds of objects falling on the roof, and Andi felt an unusual heat in the house. Andi began to fall ill, experiencing nightmares, visual and auditory hallucinations, coughing up blood, and eventually becoming unable to stand or walk. Maya, who was then pregnant, had to take care of Andi. They sought various medical and alternative treatments to heal him, but Andi's condition continued to deteriorate, putting both their lives at risk. The witchcraft they were experiencing was not yet over. This is a true story.

A anthology of filth and death, filmed with a psychotic producers money.

Laetitia and Yéliz are two teenage girls from a small suburban town who cherish the dream of opening a hairdressing salon together.

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.

When a friend calls in the middle of the night, anybody would worry about the reason. Hesitant and curious, a friend embarks on a journey with an unknown destination. His only clues are a shovel in the back and the stoic expression worn in the driver’s seat

min krop, men mit hoved

Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.

A festival of digestion on many scales, from planetary to microbial.

The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.

16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.

A surreal meditation on chronic illness and anxiety, Prion follows a character's struggle with self-acceptance as their fears manifest in the form of a sickly, white deer.

A video work which reflects on the conflicting natures of gender, bodies, queerness, algorithms, glitches, and data.