Welcome to my Darkside: Women in Horror

A beloved horror actress questions the triviality of her career starring in Pontianak films, all the while being filmed by a group of documentary filmmakers.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

There are worlds, there are humans and there are Others. But there is only one Time which is the border between worlds. What if time breaks down? Reminiscence based on true events and physics, telling the story of a couple that trying to experiment the unproved parallel time and black-hole theories. They traveled to a town called Cesme for their research. But what they will face is much beyond the human mind.

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Kuyashii Gonzo: Blood Visions and Chaos Magic is a Gonzo documentary about trying to make a no-budget feature film against the onset of the COVID-19 pandemic, unemployment, and death. To never give up, no matter how hard things get.

A documentary looking at the life and times of Donald P. Borchers, one of Hollywood's most underrated and under-acknowledged independent film producers. Particularly associated with New World Pictures in the 1980s, Borchers made a considerable mark in Hollywood, including through launching such franchises as "Angel" and "Children of the Corn."

A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

The year is 1988. Paranormal investigators Mick Sutherland and Archie Charlesworth have built their careers on confronting the unexplained across Northern Europe. But when a desperate call draws them to the isolated home of Elizabeth Blair, they encounter a presence unlike anything they’ve faced before. Over seven days, this force begins to unravel their sanity, twisting their perception of reality and threatening to destroy their bond. This is no ordinary haunting. This is Case 13.

Halloween night, three friends high in a van, and an urban legend surrounding a cult singer's mysterious death in a fire - what could go wrong?

Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.

Retrospective documentary taking a look back at the making of House, the 1985 horror film that became a nice little hit when it was originally released. Featuring interviews with producer Sean S. Cunningham, director Steve Miner, story creator Fred Dekker, cast members William Katt, George Wendt and Kay Lenz, composer Harry Manfredini, stunt coordinator Kane Hodder and various members of the special effects crew.

Tom Riley and Jackson Scott are faced with a sudden Zombie Apocalypse and must figure out how to save the world.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

The greatest cult horror and science fiction films of all-time are studied in vivid detail in the second volume of Time Warp. Includes groundbreaking classics like "Night of the Living Dead," and "The Texas Chainsaw Massacre," and sci-fi gems such as "Blade Runner," and "A Clockwork Orange."

Behind the scenes footage of I'm Dangerous Tonight. Footage shot by Stan Giesea and Eric H. Lasher

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.