Nightmares in Red, White and Blue

A rock band, on the brink of success, arrives at a movie studio to produce their first music video. Somebody doesn't have much respect for their talent, and starts bumping off members of the band, their groupie girlfriends, and the crew.

Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.

Ten years after witnessing her older sister's brutal murder, Jenny Traylor leaves her hometown in North Carolina to start her freshman year at the University of New York City. Still traumatized by her sister's death and struggling with crippling agoraphobia, Jenny tries to cope with the overwhelming city and figure out her new life.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

Papa Francesco: Come Dio comanda

Die Zeit meines Lebens - Dirty Dancing in Ost und West

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

At an old farmhouse, a family mysteriously dissapears at the hands of evil. Years later, hair metal band The Tritons comes to the farmhouse, whose barn now features a 24-track recording studio. Lead singer John Triton gets the band to perform their first night in the farmhouse after dinner, and weird little beasties suddenly appear, and strange things start to happen. Band members (and their tagalong girlfriends) begin to act strangely and vanish one by one. Soon, only John Triton remains, and he holds a secret. Finally, the evil shows itself and a battle between heaven and hell ensues....

Bruce Springsteen, le chanteur qui murmurait à l'oreille de l'Amérique

Recent scandals have revealed the brutal methods often imposed on young top athletes. Fueled by numerous testimonies, this damning investigation reveals the workings of a system which sacrifices children in the name of economic interests and glory.

In this documentary, filmmakers Daniel B. Gold and Judith Helfand (Blue Vinyl) follow a troupe of self-proclaimed global warming "warriors" on a mission to get the world to care about rising temperatures and melting polar ice caps. Taking a topic that's inherently serious and applying their signature blend of humor and emotional heft, Gold and Helfand advance the environmental dialogue in a surprisingly entertaining way.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

A documentary film on the making of 'Close Encounters of the Third Kind'

Behind-the-scenes documentary about the making of director Steven Spielberg's 1997 film "The Lost World."

Evangelist Bob Larson sits down with Zeena and Nickolas and tries to talk some good old fashioned religion into 'em, but they'll have none of it.

A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.

Clark (Tanya Dempsey), a young Mathematics major at University, thinks she's found the best deal for student housing: a group of squatters who live in an abandoned hospital secretly. The quirky residents let her into their community provided she follow the rules, including not telling anyone about her living arrangements. All seems wonderful, until she discovers that the reason that the hospital was abandoned was a series of murders in the 1940s by a strange "shrieking killer" who was never captured - and the discovery that someone who's living in the hospital is using occult means to bring back the demonic "Shrieker".

Horst Wendlandt tells the story of his cinematic work since the sixties. The dialogue between the "old and the young filmmaker" creates a fascinating spectrum of German film of the recent past.

The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.