The Immortal City

Two thousand years ago, at the dawn of the first century, the ancient world was ruled by Rome. Through the experiences, memories and writings of the people who lived it, this series tells the story of that time - the emperors and slaves, poets and plebeians, who wrested order from chaos, built the most cosmopolitan society the world had ever seen and shaped the Roman empire in the first century A.D.

In this documentary, Prof. Laércio Fonseca presents facts and connections between cosmology, the universe, The Earth Project and The Planet Deadline according to Chico Xavier. Where did I come from? Where I go? Is the end of the world near? Was Chico Xavier right? Do we have a deadline? Find out the answers to these and other questions in this movie.

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

The life of Shona mbira player Gwanzura Gwenzi coexists in both the traditional and modern worlds: he works in the city for a large western corporation; at his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira. His sister Francisca is the family medium for the spirit of Kaodza, their great-grandfather. The highlight and centerpiece of the film is a bira, perhaps the only one ever completely captured on film. We see the various stages and liturgical components of the ceremony, culminating in the arrival of the spirits late at night. Francisca’s daughter, now-famous mbira player Stella Chiweshe becomes possessed by a snake spirit. Kaodza arrives through Francisca, and the family confers with the spirit in an extraordinary scene that shows how ancestors interact with the living. (Description credit: Villon Films)

Prêtres interdits

A structuralist work composed of static, long-duration shots of Roman ruins and architectural details, all filmed on Super 8. The film operates without a traditional narrative or dialogue, relying on fixed compositions to document the interplay of light and shadow across ancient stone. By framing monuments through windows and doorways, Jean-Claude Rousseau explores the relationship between historical space and the act of observation.

The film documents the life and art of painter Jehangir Sabavala, capturing the intricate relationship between the artist’s vision and his environment. Khopkar describes the challenges of conveying Sabavala’s creative spirit through film, emphasizing the need to engage with the subtleties of colour, light, and composition.

From his birth in Bethlehem to his death and eventual resurrection, the life of Jesus Christ is given the all-star treatment in this epic retelling. Major aspects of Christ's life are touched upon, including the execution of all the newborn males in Egypt by King Herod; Christ's baptism by John the Baptist; and the betrayal by Judas after the Last Supper that eventually leads to Christ's crucifixion and miraculous return.

In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.

A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.

Seemayer Studios presents a new documentary about the American Hotel in downtown Los Angeles and the Arts District that surrounds it. Since 1979, the American Hotel has been the beating heart of a rich community of artists who began moving into the deserted factory buildings between Alameda and the Los Angeles River.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

In this hour-long documentary, Dr Janina Ramirez tells the incredible story of a book hidden for centuries in the shadows of history, the first book ever written in English by a woman, Julian of Norwich, in 1373. Revelations of Divine Love dared to present an alternative vision of man's relationship with God, a theology fundamentally at odds with the church of Julian's time, and for 500 years the book was suppressed. It re-emerged in the 20th century as an iconic text for the women's movement and was acknowledged as a literary masterpiece.

The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.

It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

La femme est l'avenir de l'art

In a post-industrial Tlaxcalan city, the tradition of the catholic 'rezandera' - a person who prays - is kept alive by a young gay man.

Bill Nye and Ken Ham debate whether creation is a viable model of origins in today's modern scientific era.