L’Anonyme

"The MC: Why We Do It" takes a look inside the world of Hip Hop and MCs to explore the issues and concerns that define todays most popular music form. The MC started out as a mere introducer of musical acts, but when DJs began spinning tracks at block parties in the Bronx in the late 1970s, the MC began to rap along to the beats, emerging as the focal point of a new music form. The film not only explores the origins of MC'ing, but the environmental, spiritual and moral aspects to this art form. As Hip Hop turns 25 years old, MC's consider the past, present and future of their music, giving a unique insight into what drives these artists to continue spitting rhymes. Written by Iain Kennedy

Outwardly a chilling portrait of the aimless lives of unemployed inner city youths living on society's fringe, the underlying message of this volatile drama seems to call for violence to rectify social injustices. The film centers on two teenaged gangs who basically terrorize their neighborhoods with their anarchic behavior. There are few limits to their unpleasant philosophy of "desire equals acquisition." The loosely structured tale reaches its climax at a concert where the two rival groups collide.

Under the same roof, mother and daughter walk like strangers. Grief, routine, and an artificial intelligence that whispers in the silence distance them. In a world that never stops changing, she must discover if there is still a place where she can find herself.

Taro Shiraga (played by Ninomi Kobayashi), nicknamed “Shigarami Taro”, works in the insurance company’s contract management division. Officially, his role is to entertain insurance saleswomen and encourage them to improve their sales performance. Behind the scenes, however, he is a shrewd investigator of insurance pay-outs. Whenever an incident occurs, his “eyes” at the scene are sharp and discerning. Yet this hidden side of him remains unknown to his colleagues and family. One day, Taro is instructed to go to Matsue under the pretence of entertaining saleswomen from the Matsue branch. In reality, it is an assignment to investigate an insurance claim.

Ana was born in São Miguel, an island in the middle of the Atlantic Ocean ruled by religion and traditions. Growing up as the middle child of a family of three with her mother and grandmother. Early Ana realized that girls and boys were given different tasks. Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, bringing with her the glowing days of youth, Ana embarks on a journey that will take her beyond the horizon.

The action takes us on a disturbing, high-energy, graphic experience that is like attending a heady African American Studies lecture on the set of a blaxploitation film, performed in a former Dallas drug house. Paint chips and discarded plywood litter the broken sidewalk that leads from the empty back parking lot through knee-high weeds to the house where local performance art collective Dead White Zombies' newest site-specific performance installation takes place. Video projections play on various monitors. Loud Rap music surrounds us. Mama is cooking and cleaning in the kitchen.

Ina, an introverted 11-year-old immigrant, finds herself captivated by Petra, a new classmate coming from the same country as her. Faced with the newcomer’s indifference towards her, Ina embarks on a desperate quest for connection in a world oscillating between dream and reality.

Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

A quiet, stoic man, lives a monk-like existence in self-imposed exile. When his estranged son is killed in a drug deal gone bad, he is left to look after a granddaughter he never knew existed, and he is forced back into a life he tried to put behind him.

This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.

A vampire from over two centuries ago joins a clandestine 12-step program called Feeders Anonymous and attempts to recover from her supernatural addiction.

Chang-su, Byeong-gi and Yeong-bae are pickpockets and work together. Chang-su's role in the team is to lure the chasers out. Chang-su is displeased with the payment he receives because what he does is tougher than what the other two do.

m e m o r y - m a c h i n e

Dealing with troubling friends, a toxic home life and minimal motivation, Bryan (Bolanos) remains stuck in a lifeless cycle with no end in sight. That all changes once he takes a leap of faith outside of his comfort zone, when a new friend Bianca (Prokuski) shines a light at the end of the tunnel and introduces him to the world of art.

In the late 1980s and early 1990s, skateboarding and hip-hop culture collide in downtown Manhattan. Archival footage from the era showcases the fusion of these two forms of expression.

An unexpected encounter with his past prompts a young man to choose between his sexuality and his faith.

Coralie runs away from Switzerland. She arrives in Paris to take her chance into Hip Hop music. She’s hired as a cook in a local association in the parisian suburb of Saint-Denis. Coralie meets Issa, the rising star of the hood…

A war crimes investigator goes to Belgrade to hunt a man whom everybody thought was dead.

Reynold is dying of cancer. He uses his last meals to share them with his daughter. As the meal progresses, a ritual begins to take hold, the dishes acting as reminders of the past. Vanessa discovers who her father really is.

Jack, a teenager in his final years in highschool is torn by grief after his girlfriend, Elizabeth, takes her own life. Not even his closest friends are able to get through to him, with their words silent throughout the film. Jack is forced through his own mind's manifestations of Elizabeth to take the steps to moving on.