A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.
C'est pas du tout ce que tu crois
The life of a "big" restaurant seen as a world unto itself, a world apart with its own inhabitants, rules, intrigues, movements, hierarchy, history and stories, internal and external relationships... an organic world that pulses, moves, shouts, cries, sings and, of course, eats. Here, the particularity of their vision lies in the stage set-up, which offers two separate, parallel spaces that interact with each other: the "visible" world on the dining room side, and the "underground" world on the kitchen side. At intermission, the spectator switches sides, seeing the same story from two radically different points of view.
10 ans de mariage
Quelle famille !
Pièce montée
Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
Sans filtre
Treize à table
Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.
Director Werner Herzog, one of the most highly acclaimed German film makers, joins forces with the great Italian conductor Riccardo Chailly to effect a masterful rendition of this rarely-performed opera involving spectacular scenes of alternating light and dark, pageantry and intimacy. Staged and recorded at Teatro Comunale di Bologna in Bologna, Italy.
25th Anniversary of Love and Courage: Fire Emblem Festival was an orchestral concert which was part of Intelligent Systems' celebration of the twenty-fifth anniversary of the Fire Emblem series. The concert was performed by the Tokyo Philharmonic Orchestra at the Tokyo Dome City Hall in July 2015. This DVD collects the performances and drama sequences from the celebration event with the original voice cast as well as staff members from Nintendo and Intelligent Systems.
A recording of the legendary production “Audience“ from the Prague Drama Club with Josef Abrhám and Pavel Landovský. In 1975, Václav Havel worked as a labourer in the brewery in Trutnov; he could do nothing else. And it was here that he made perhaps his most successful one-act play, Audience, about the writer Ferdinand Vanek, who is invited by his superior to offer him a deal - a promotion to warehouse keeper, but in return has to inform on himself for StB reports.
Régis Laspales est Landru
Millowitsch Theater - Drei kölsche Jungen
Millowitsch Theater - Das Liebesverbot
Millowitsch Theater - Der Meisterboxer
At sixty, Bernard Hubert has finally settled down and lives perfect love with Juliette, who is more than twenty years younger than him when they see landed, Thomas, an attractive thirty-something who claims, DNA test in support that he is Bernard's son. Problem: Bernard Hubert claims that he is sterile! Another problem: Juliette doesn't seem insensitive to the boy's charm. Would Bernard have opened the door to his son or his rival?