Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
South African producer / director JON DAY spent the last 5 years making a documentary about the mysterious rap-rave group, DIE ANTWOORD. Art directed by surrealist photographer, ROGER BALLEN. Narrated by NINJA & ¥O-LANDI'S daughter, 16 JONES.
Metropia
Ottimismo democratico
"Hey, kids, let's get together and put on a show!" That's the idea behind this raucous spoof about a vaudeville performer who's sent to college to spy on his bratty son.
Jo; or The Act of Riding a Bike is Zefier's third film.
Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.
Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.
An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .
See the movie that started it all.
10 years after releasing his debut album The Documentary, Compton rapper, The Game, recently released a double album in two separate installments. The first disk was titled The Documentary 2 and the second which dropped a week later was called The Documentary 2.5. This 50 minute film is the official making of and we get just that, giving fans a behind-the-scenes look at the recording sessions that went into his latest body of work.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
In 2009, four friends living in Tobyhanna, Pennsylvania, document their attempt to record a rap album over the course of one eventful night.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
A Marine Sergeant wounded in overseas combat requires an operation, and the Navy psychiatrist recommends that ‘Sarge’ be given a few weeks’ rest before hospitalization. Through the Dean of San Juan Junior College, Sarge enters on a temporary basis. Meanwhile, the Teen-Agers are rehearsing a show and Freddie's worried as they have no band.
Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.
Party animal Dean Murdoch travels back in time to his college days of 1989.
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.