Dance

Vincent leads a life of sorrow until Venus walks into their universe.

Aguardo a Ressurreição em Celulóide

Light Pharmacy: 4.1 is part of a series of 'film haiku' concerned primarily with the reflection and refraction of sunlight, and dream representation.---AGN "A surreal fantasy - almost a homage to Maya Deren. Nigrin has a fine feeling for imagery and pacing."---William Sloan, Museum of Modern Art, New York City, 1988.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Shifting Margin Part 1 (1991) Produced, Directed, Photographed, and Edited by Albert Gabriel Nigrin Special Thanks: Brodsky and Treadway and DAK Productions Length: 3 minutes A statue of a horse [located in the Luxembourg Gardens in Paris, France] shot at 18fps on Kodachrome color super 8mm film transferred to high quality video. The film camera was shaken at various intensities to simulate the various forms of horse locomotion -- walk, trot, gallop, etc. The film is silent yet one hears the rhythm of hooves. The green color of the statue's faded bronze was amplified, as was the blue sky in post-production. A homage to Pegasus, Le Magnifique in Cocteau's Beauty and the Beast, and Eadweard Muybridge.---AGN

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

Pictures taken between France and Mexico running at 8 frames per second.

During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.

In 1480, or thereabouts, as Princess Blanche prepares to unite with the handsome prince of a neighboring kingdom, her father decides to marry her to Melchior, his coarse army commander whom she barely knows. Devastated, she asks for the help of her godmother, who reveals that she is in possession of a mysterious “skin” which, once worn, will allow Blanche to become a man and thus get to know her fiancé incognito.

Não é Possível Garantir que Todos os Produtos Funcionem

“Belladonna Museum” is a short film that portrays a personal experience of a transgender woman in a tragic love relationship: it is a visual poetry that reinterprets iconic paintings from surrealism and post-impressionism to address themes such as emotional dependence, loneliness, objectification, the attachment and the abuse both emotional and physical.

An award-winning, ground-breaking TV documentary dealing sensitively with the topic of sex and intimacy within the disabled community.

In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.

A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.

Ayla wakes up in a mountainous landscape, surrounded only by vegetation and a river. Driven by curiosity and a desire to get to know the place, she goes on a journey of discovery and diving. As she discovers where she is, she also discovers herself.

A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When lovely exchange student Frenchy slips through the door, the diminuitive King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.