Mental Toughness

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.

An attic, a giant sewing needle and an anti-gravity fairy tale of sibling rivalry. Three sisters fight over who gets the biggest phallus in this post-feminist animation-infused playground by media artist Michelle Handelman. If Hans Christian Anderson got a sex change, surfed the porn sites, and hung with the freaky girls, his stories would look like this.

A fiction science monologue about artificial fertilization and its consequences, delivered by four characters interacting with the text.

3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.

Sienna struggles with dreams of an unknown and scary place after receiving a dress that belonged to her late grandmother, who commited suicide years ago

STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.

Battleground (2017) is a professional wrestling pay-per-view (PPV) event and WWE Network event produced by WWE for the SmackDown brand. It took place on July 23, 2017, at the Wells Fargo Center in Philadelphia, Pennsylvania. It is the fifth event under the Battleground chronology.

A short by Steven Soderbergh described as “intense sci-fi homage to Godard.”

After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.

Sportives sur l'adrénaline: la relève

Its production seems like a game: throwing a Super 8 camera, turned on and recording, from what was, at that time, the tallest building in Caracas. The film films the shots of its own accelerated fall, a succession of chromatic shots that cannot be identified either in terms of what is “recorded” in each one (windows, columns, walls, sky or floor) or in its own formal configuration as an image (color, composition, shapes or figures). What is perceived and apprehended is the impotence of vision – of perception – to distinguish this extreme and exhausting mobility, this vertigo of “free fall.”

Ezra (M19) and Awan (F19) are two melancholic teenagers who one day meet by chance in the Library. In their meeting, they both feel they have the same memories and speculations. In the memories and speculations created between the two of them, they are lost in feelings of love in their minds. Those thoughts make them feel the complexity of love that they have never felt before.

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

visual album, mixed digital media, archival footage, and ghosts

Proyecciones del Limbo

The emotional decline of a person after being the host of an energetic parasite.

A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.

A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.