Life After

Rolling Stones – Hearts for Prague

Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.

Scars Unseen is a ‘triumph of the human spirit’ documentary following three women who have overcome domestic violence and are paying it forward. Due to the COVID-19 pandemic, the statistic of 1 in 4 women affected by domestic violence went up to 1 in 3 women. This inspiring documentary highlights each individual’s experience involving domestic violence, focusing not on the grim details of their trauma but rather on the tools and techniques that helped them to persevere on their healing journey. Scars Unseen aims to illuminate the power of healing, de-stigmatize victimhood, and encourage open communication about the causes, treatment, and prevention of abuse. This documentary focuses on the resiliency of three phenomenal women and encourages us all to be more trauma-informed. Scars Unseen is changing the conversation around domestic violence.

Beyoncé and Solange Knowles are the most successful pair of sisters in pop history. But while Beyoncé is being systematically built up into a megastar by her parents, her younger sister Solange has to fight for recognition from her family. It takes a long time for her to step out of her sister's shadow musically. A double portrait of two unequal exceptional artists.

A documentary portrait about the life and times of the infamous hellraiser, who died in May 1999, having starred in more than 100 films.

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

a “making of” documentary on Smokey and the Bandit

Grow Vasu is a biographical documentary on the life of comrade Ayinoor Vasu aka Grow Vasu, a leader of the working class, as well as a champion of Muslim, Dalit, and marginalized communities and human rights movements. At 94 years young, he was jailed for questioning the authority, yet, Vasu continues his fight against oppression, for justice, and for the revolution. The film follows a narrative style divided into ten chapters consists of his personal-political up and downs.

A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.

A documentary special taking a look at the upcoming films making up the DC Universe. Kevin Smith hosts with Geoff Johns, as they take a look at Batman vs Superman: Dawn of Justice, Suicide Squad, the upcoming Wonder Woman and Justice League movies.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.

This is the story of Cincinnati's own Reds broadcast legend Marty Brennaman. Over the course of his forty-six years with the Cincinnati Reds, Marty has called some of the most famous events in Major League Baseball history including three World Series, Hank Aaron's home run 714 and Pete Rose's hit number 4192. This is his story as told by himself and the players, fans and fellow broadcasters who were there to witness history in the making.

Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.

A documentary about the psychological costs of working in Alberta's oil sands and the mental health crisis that's been ignored for a decade.

Part of Chris Marker’s Three Video Haikus series, Owl Gets in Your Eyes observes owls and their young in quiet close-up, capturing their shifting expressions and watchful gaze.

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

The profound impact of technology on the lives and identities of young deaf adults is explored in The Listening Project. Fourteen deaf people tell stories beginning with a childhood wide-eyed about sound, into the growing pains of adolescence and, eventually, their professional lives. Sometimes humorous, always tender, The Listening Project is a timely coming of age story, one we haven't heard before.

From Edison films catalog: Taken during the Klondike excitement. The streets are crowded with miners buying outfits and supplies. Mule trains, trolley cars and hurrying pedestrians give life and bustle to the scene. 50 feet. $7.50. Advertised as part of the "Northern Pacific Railway Series" (Edison films catalog): The following pictures were taken by our artists at various points on the Northern Pacific Railway. We are greatly indebted to their officials who afforded us every opportunity in their power to obtain these splendid views. Many of the scenes are incident to the excitement prevailing at the time of the Klondike gold rush. They show the resources of this company for handling large numbers of people, baggage, freight and excursion parties, and give to prospective tourists and merchants an idea of the facilities with which this road handles traffic of all kinds (p. 9). (LoC)