Scratch and Crow

A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.

A man and a woman lead a complicated love life, filled with erotic tension and despotic passion. Their son is an involuntary witness to all this, cooped up despondently in his room banging his head against the wall. To get away from the situation, he escapes into a virtual world. But when the man finds himself inopportunely stuck out on the balcony of the apartment, a burglar gets into the building. At the same time, in a neighbouring apartment, spies are getting ready to listen in on a group of scientists.

Short cuts : L'Armée des 12 singes de Terry Gilliam

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

Animated short about a voyeur cat, a woman with excessive love for her plants, and a peculiar visitor in a fur hat. Based on the short story 'Megbocsátás' by Ádám Bodor.

The film contains three Jan Werich's fairy tales, each directed by one artist. The first story sets out to the Sumava mountains in Southern Bohemia to find out whether Ogres ever lived there. The middle tale The Hat and the Little Jay Feather concerns a king who sends his three sons to bring back a hat he left at a tavern when he was young. The third and longest fairy tale Reason and Luck is about the two virtues of the title try to prove their importance by changing the life of a pig herder named Louis. Written by

A visual protest of America’s involvement in the Vietnam War.

A mere sight of a gray wolf terrifies the entire village. There’s just one little girl who can empathize with the wolf and even make friends with him.

A group of puppets in a handmade world encounter a giant visitor with an unexpected surprise.

She Collage is part response to the work of Southern California–based collage artist Terry Braunstein, part reflection on the practice of art-making. Like Braunstein's art, the film is itself a collage—in this case, frame-by-frame hand-manipulated images of Braunstein, paper cutout stopmotion animation, archival footage, and an assemblage of sounds.

Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.

This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.

Men and women, all dressing up, awaiting, tempting, enjoying the bliss or sadly unsuccessful. Delights of the body, yearning, excitement, luxury, decadence, erotic of the common day. The erotic as frivolous, mischievous, frolic, comic and sometimes also slightly serious animated musical erotic fantasy. Much like the modern dance art, the film is marked by interplay of the visual and musical components – picture, rhythm, color, motion. The film consists of separate sequences, each of them accompanied by individual musical movements of Mr. Saint-Saens’s compo­sition.

Meet the doers and dreamers who made America great -- including John Henry, the railroad builder who proved the value of believing in oneself. Journey with giant lumberjack Paul Bunyan as he clears the land for American settlers. Follow the trail of the beloved American Icon Johnny Appleseed, who planted apple trees which blossomed along the new frontier. Then, take an unforgettable ride with Casey Jones, The Brave Engineer who never failed to deliver the mail...no matter how difficult the route!

This short animation features four guests of curious demeanour who commit unforgivable acts at the dining table. Food flies everywhere while the guests prop their feet up and talk with their mouths full. Thankfully, Lady Fishbourne’s eating etiquette instructions will show these dinner party misfits the error of their ways.

A romantic story between two wool skeins.

Rain Dance is a four-minute animation produced by Hill while an undergraduate student at Harvard University from 1988-1992; the exact date of the production is currently unidentified. Although little known, the film is representative of both Hill’s do-it yourself approach – employing character cutouts, strong, yet playful colors, and a narrative and technical simplicity rich with charm – and her jovial demeanor and inquisitive approach to life. The film is dedicated to Elijah Aron, Hill’s boyfriend throughout college. Aron remained close friends with Helen and her husband Paul Gailiunas, and was the godfather of their son Francis.

Inspired by a poem.

A man visits the world's smallest fair, where he learns a valuable lesson about life and poison cotton candy.

A whimsical lesson in love from Helen Hill.