It’s a beautiful winter day. Four children are playing on the bridge, but fifth actor enters the game... The sniper.
A Danish officer, Michael, is sent away to the International Security Assistance Force operation in Afghanistan for three months. His first mission there is to find a young radar technician who had been separated from his squad some days earlier. While on the search, his helicopter is shot down and he is taken as a prisoner of war, but is reported dead to the family.
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
Rita
A short animated War Office commissioned health education film, showing the fate of each of the 6 jungle soldiers.
Children living and playing in a war zone are touched by violence. Part of How Are the Kids? (1990), a UNICEF-sponsored six-film anthology depicting childhood horrors around the world.
This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA
During the heat of battle in the midst of the Civil War, a beguilingly innocent colt is born to Union Jim Rabb's beloved mare. Refusing the orders to shoot it, lest it prove a hindrance, Rabb keeps the colt as a consolation in these desperate times-a symbol of hope that leads the men of the First Cavalry on a journey of self-discovery and newfound brotherhood.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
Film about the Holocaust. A Jewish family is allowed to keep the flat they have always lived in and to live a relatively normal life. One day their 10-year old son disappears. He has been sent to a deportation camp which seems like paradise except that the inmates are being used for medical experiments.
When one of the brothers (Ohayn) dies, all the whole family comes for Shiva (Jewish tradition,when the family sits seven days at the home after the death one of their family). A large family with a lot of problems and conflicts between them.
This is a drama set in Nazi-occupied France at the height of World War II. Charlotte Gray tells the compelling story of a young Scottish woman working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot. Based on the best-selling novel by Sebastian Faulks.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?
Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to “travel” within the photographs, producing a volatile animation.
From the start, Vertov made himself known as an irreconcilable enemy of “acted films,” which he regarded as a violation of truth. At the peak of World War II, however, such lofty artistic principles proved impractical. Vertov’s poetic and patriotic For You, Front! is a fiction film with a script and two actors. In a letter to her fiancé, a soldier on the front, Saule asks if there is anything he needs from “our beloved Kazakhstan.” Yes there is, he replies: lead, which can be used to make bullets to kill the enemies of “our beloved country.”