Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
David Attenborough and scientist Johan Rockström examine Earth's biodiversity collapse and how this crisis can still be averted.
Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
Something is bad wrong as everyday Americans fight to protect their air, water and blood from pollution.
Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
Anthopos tells the story of a centenarian character from his birth to his death.
Film-dossier on workers' struggles against industrial diseases.
Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.
The Imperfect Human
memory consolidation 01
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.
A Small Paradise is a film documentary about the Greek island Kos and the people there. It is a cinematic and nostalgic journey. In the film documentary, you meet people of different backgrounds and sexes. They share their thoughts and opinions about the island and other topics. You get captivated by the small interviews, the music, and the personal stories.
In the first half of the 19th century, the French ornithologist Jean-Jacques Audubon travelled to America to depict birdlife along the Mississippi River. Audubon was also a gifted painter. His life’s work in the form of the classic book ‘Birds of America’ is an invaluable documentation of both extinct species and an entire world of imagination. During the same period, early industrialisation and the expulsion of indigenous peoples was in full swing. The gorgeous film traces Audubon’s path around the South today. The displaced people’s descendants welcome us and retell history, while the deserted vistas of heavy industry stretch across the horizon. The magnificent, broad images in Jacques Loeuille’s atmospheric, modern adventure reminds us at the same time how little - and yet how much - is left of the nature that Audubon travelled around in. His paintings of the colourful birdlife of the South still belong to the most beautiful things you can imagine.
Autonome Artefakte
Mira-futuro
In the seventies, during the Richard Nixon administration, Documerica, a large-scale photographic project, led by the US Environmental Protection Agency, sought to document the country's environmental situation. The tens of thousands of photos, taken by hundreds of photographers, constitute a unique archive, showing a landscape ravaged by pollution and environmental degradation.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.