With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.
“Te Pito o Te Henua” (The Navel of the World) tells the story of the community behind Rapa Nui’s largest and most colorful annual Indigenous celebration, the Tāpati Rapa Nui Festival. Honoring ancient rites and competitions, Rapa Nui families participate in nine days of athletic feats, cultural demonstrations and ceremonies paying respect to the land, water and other natural beings of the island. They also crown a Queen to represent her people for a year throughout Polynesia and on the world stage. The film traces the journey of 19-year-old candidate Vaitiare and her family as they join work to earn her the crown and represent this small but well-known island as its people fight for increased autonomy and recognition on the world stage. Through intimate character portraits, behind-the-curtain moments and heartfelt musical performances, “Te Pito o Te Henua” reveals the true meaning of Tāpati and the deep connections the Rapa Nui share with their lands and waters.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
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For the Suruí, an indigenous people in western Brazil, there was a lot at stake in the 2022 presidential elections. Under incumbent President Bolsonaro, logging and mining companies were given free rein in their territory. His opponent Lula, on the other hand, pledged to protect the Amazon and uphold Indigenous rights. Tribal leader Almir and his daughter, the young activist Txai Suruí, are each followed during their campaign in the final month before the elections. While Txai travels abroad to raise awareness about the destruction of the rainforest, Almir campaigns across the state of Rondônia, seeking support for his congressional bid.
This film is an initiatory journey among the Fangs of Gabon and the Shipibos of Peru. With the sound of traditional instruments like the mogongo (arc in the mouth), the holy harp, and the Icaros, we discover the traditional peoples’ wisdom.
Chaco Canyon, located in northwest New Mexico, is perhaps the only site in the world constructed in an elaborate pattern that mirrors the yearly cycle of the sun and the 19-year cycle of the moon. How did an ancient civilization, with no known written language, arrange its buildings into a virtual celestial calendar, spanning an area roughly the size of Ireland?
Uhelný lom
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Stroje nám pomáhají
Na pomoc dolům
50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
Waters’ LIFT project, ᏗᏂᏠᎯ ᎤᏪᏯ (Meet Me at the Creek), is the fourth of a quartet of films, and focuses on interconnectedness and Cherokee values through the lifelong fight of Rebecca Jim, a Cherokee Nation citizen and waterkeeper warrior, as she leads the effort to restore Tar Creek in Miami, Oklahoma.
Dirty Bird, The Derek Hersey Story
Documentary examines the different paths taken by brothers Edward & Asahel Curtis in their photographs of Northwest Indians and Yukon explorers, as well as their influence on Seattle & Washington state
A meeting of the Far West Council elders inspires a discussion of Northwest Native American history and traditions, and the struggle to remember and honor their ancestry
The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.
Three intrepid women battle for Indigenous women's treaty rights.
Mladí nastupují směnu
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.