Elza Soares - Beba-me Ao Vivo

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

Multiple Grammy Award winner, Norah Jones, plays an exclusive sold-out show at the world-famous Ronnie Scott’s Jazz Club in London. This wonderfully intimate live performance film sees Jones return to the piano, accompanied on stage by drummer Brian Blade and bassist Chris Thomas to form a classic jazz trio. The group play tracks from Jones’ sixth solo album Day Breaks and a selection of hits from her extensive catalogue including the hit singles, 'Carry On', ‘Flipside' and 'Don’t Know Why’.

In 1979 and 1980, three world renowned guitarists, John Mc Laughlin, Paco De Lucia and Larry Coryell, formed a guitar super-trio and toured Europe. This is the recording of their performance live at Royal Albert Hall.

In this sober and moody documentary, director Anders Østergaard explores the life - and death - of Swedish wonder kid jazz pianist Jan Johansson through a rain-soaked windshield.

A junkie must face his true self to kick his drug addiction.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

“The Language of the Unknown” accompanies the great saxophonist and his band with a concert on November 3, 2012 in the Salle Pleyel in Paris, and observes the effect of the music on its creators, who are normally much too busy with creating the new than to deal with music already played.

Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.

Anthology film about a night at airport Berlin-Tempelhof. Due to fog passengers can't leave Berlin by plane and struggle to find other ways out of Berlin.

A musician tries to get by working several jobs.

Maria Bethânia e Zeca Pagodinho: De Santo Amaro a Xerém

Gal Costa: A Pele do Futuro – Ao Vivo

Sayonara, Goto-san. is a recording of Midori's final show at Tokyo LIQUIDROOM on December 30, 2010, released on DVD on April 6, 2011.

Live archive release from the Jazz legend. Thelonious Monk Paris 1969 is a fascinating and important late-career document of the legendary Jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. The concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones. Filmed in Black & White.

A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her "brother's" corpse from Thunder Bay, Ontario to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.

Baby Gal

August, 1961: in an East Berlin jazz club, dissident Andreas, released from jail, awaits reunion with old friends - but their world is about to change.

An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.