Chaotic poem read by a bimbo voice in cute piggery perfumed with poppers, the body loosen and is thinking about other possibilities of bottoming while deconstructing penetration, moving with fluids.
Short animated film by Kristian Pedersen
Essai 2095
MÜ : Architectures protéiformes
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
The Internal Void of a Damaged Mind
"Leiberg embarks on a search for the interaction between painting and improvised music, tinkering with sound collages sets language and sounds against each other (...) Leiberg works with real-movie sequences and uses his pictorial color and form vocabulary as a design element in the film. He primarily uses the resulting films in their capacity as a depot of moving light images in order to project them onto the bodies of dancers in the performances. (Christoph Tannert in "Gegenbilder", p. 39f;)
An experimental meditation on the pervasive nature of transience.
Dissonant selves dancing around opposition and harmony.
A man takes a mysterious pill that gives him the ability to teleport into different times and different places, but with serious consequences.
A woman confined to a colorless room finds herself forced to eat a mysterious meal while being tormented by strange creatures.
Family man Ethan Miller is on his way home from work. The drive ahead of him is long, but after getting a distressing phone call from his wife, he realises that's the least of his problems...
A film inspired by a visual representation of trauma and the journey towards healing. It delves into the symbolic language of the cosmos and the natural world to express the complex emotions associated with trauma.
This is the second film in the series, ‘Between Regularity and Irregularity’. This work continues to focus on the fluctuations and changes of sounds, tone qualities, movement of particles, and forms. With regard to movements of particles, it uses movements triggered by living organisms such as the structures and cells in the brains of mice, as well as particles and lines in non-living things.
During a bus trip, thoughts, dreams and memories mix together as the day dawns
An experimental short from Oskar Fischinger
A scientist returns an alien egg back to its mama.
Serlasanha
Dialogue between a man from Earth and an alien about the advantages and darker sides of earthly civilization.
I HAD A... (DREAM) unfolds as a trip where dance, stop-motion animation, sound, and imagery interplay, far from established dimensions and expectations. Mushrooms immerse the viewer in a dreamlike space, where the film becomes a site for deviation and disruption.