I'm Oh So Blurry

A troubled man searches for flowers but ends up being tormented by a mannequin.

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

A depressed man contemplates the imminent end of the world.

"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.

Iduarte is sitting on a lake bench, his intrusive thoughts stop when he sees a man dressed in yellow soaking the people around him.

A man (Lace Williamson) wakes up in the night beneath a lone streetlight. Soon, he realizes that this light is the only visible illumination in the endless darkness. One by one, strange and cryptic chalk markings reveal themselves on the pavement and prove to be his only hope for safety in the increasingly dangerous environment.

An alien duo arrive on earth and begin to enslave humans, using a local Public Access Children's show as a front. Things get out of hand when a human is forcibly turned into one of them and joins a resistance to overthrow the aliens.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

The moon landing is juxtaposed to Dante and Beatrice's journey through paradise in this visual oratorio composed by Jacob ter Veldhuis.

In a world where the future is for sale, a grieving man visits a mysterious Time Spa, seeking a glimpse of his future. However, he discovers that some truths are more challenging than the past he's desperate to escape.

Quinn and Natasha lead a simple life until a strange man kidnaps Natasha and takes him to his mistress-someone Quinn had hoped was out of his life forever. Now Quinn must find Natasha, with the force of vengeance as his only guide.

Lenny is on a journey of some kind and it involves various kitchens for some reason.

A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.

A gorehound named Marvin orders a lot of splatter movies for a movie marathon with his fellow gorehounds. He ends up ordering so much that he has trouble keeping up with orders. Come the day of the marathon, him and his friends watch gore and grime until very late at night. Just when they think the marathon is over, Marvin rediscovers one tape that he forgot all about... He quickly calls his buddies back over to watch it, and they soon discover that the tape is something far more ominous than they could have ever suspected.

Arrested for an unnamed crime, Josef K. is trapped in a surreal bureaucratic maze where justice is unknowable and guilt is assumed.

A teenager is caught between her attraction to a boy and the sinister presence that resides in her attic; a confused townie roams the countryside, convinced that the locals are out to get her; and in a world where everyone has a double, one woman seeks to be her own person. A twisted collection of tales that dig into the human psyche to expose the violent urges and hidden fears that lurk within.

Sequel to the 2024 film Double Bluff. Plot TBA.

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.