Imitation of Waves - Guy's Visions

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

After her boyfriend ends their relationship, the dreamself of a heartbroken woman floats through the air over an industrial wasteland singing ballads of love.

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."

Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.

Examines the history and legacy of the photo Guerrillero Heroico taken by famous Cuban photographer Alberto Díaz Gutiérrez. This image has thrived for the decades since Che Guevara's death and has evolved into an iconic image, which represents a multitude of ideals. The documentary film explores the story of how the photo came to be, its adoption of multiple interpretations and meanings, as well as the commercialization of the image of Ernesto "Che" Guevara.

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

Profile of the producer and former studio head of 20th Century Fox in the 1970s, Alan Ladd Jr.

Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.

Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.

Monet, Cezanne, Degas, Renoir: some of the world’s most popular artists. Their works, and that of their contemporaries, fetch tens of millions of dollars around the globe. But who were they really? Why & how exactly did they paint? What lies behind their enduring appeal? To help answer these questions, this unique film secured unparalleled access to a major exhibition focussing on the man credited with inventing impressionism as we know it: 19th-century Parisian art collector Paul Durand-Ruel. This eagerly anticipated international exhibition is possibly the most comprehensive exploration of the Impressionists in history.