The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.
Two instants separated by 99 days conflict with each other.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
In 1909, in an undemocratic Sweden, a bastard child is born and given the name of Hervor. Her mother is unmarried, due to which she is called a "whore' and is driven from her home. Hervor grows up at shelters and orphanages, unwanted, rejected by society. As an adult she spends her life struggling for social justice. In old age she tells us her story. Director Knutte Wester brings his grandmother's memories to life thought hand-painted animated images and has us witness someone being rejected in order to unite others. A story that all too often still repeating itself.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
Un jour avec Andrée
Using a rostrum camera, Raymond Depardon films a long series of photos, from the narrow streets of Paris to the endless desert, accompanied by original sounds of the city. A Cartier Foundation initiative for the contemporary arts.
A variety of storefront mannequins look at, contemplate on, and talk about public space.
Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.
Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.
Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist’s singular voice and complex cosmology.
Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
Who invented time, who invented the clock? Why 1 hour, why 60 minutes, why 60 seconds? Since prehistoric times, man has sought to measure time, to organize social and religious life, to plan food supply... Today we can surf the Internet, geolocate, pay by credit card… All our daily lives depend on time and the synchronization of clocks. The history of the invention of time and of the ways and instruments to measure it is a long story…
"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !
How did the Impressionists view the world? What relationship did they have with technique, with color, with light and with the universe of shapes that made up reality before their eyes? How were their works received? How did they go from being rejected by critics and the public to becoming among the most loved in the world in a few years? Secret Impressionists is an immersive journey into the intimacy of the Impressionists and their paintings which aims to offer a "privileged" visit that stimulates the spectators' curiosity and gives them a perspective on the works complementary to the live experience, allowing spectators in the hall to immerse themselves in the work of painters and grasp unpublished details.