Kunst unserer Zeit I: Skulptur

In 2015, Christopher Nolan curated a selection of short films by the surrealist animators the Quay Brothers to be distributed as a touring 35mm presentation. The three films—"In Absentia" (2000), "The Comb" (1991) and "Street of Crocodiles" (1986)—were accompanied by this brief portrait of the brothers at work in their London studio.

In Return: Just a Book is a 2016 Indian docudrama film written by Paul Zacharia and directed by Shiny Benjamin. The film is based on Perumbadavam Sreedharan's novel Oru Sankeerthanam Pole, about the life and times of Russian writer Fyodor Dostoyevsky.

On Cuauhtémoc Avenue, near the intersection with Reforma Street, a trio of musicians arrives—members of a fara-fara group. They wear their hats, shirts, belts, pants, and boots. They play the accordion, the bajo sexto, and the tololoche. However, they play for a city dominated by traffic, cars, honking horns, and people rushing from one place to another—a constant movement brought on by urban life, in a space filled with buildings and concrete.

A short film documenting the city of Budapest, The Carpathian mountains, Brasov and Various castles in Romania

The film, based on the artistic-documentary aesthetics, is about the fate of three sons of the Javanshir dynasty, who are connected to Karabakh and this corner of Azerbaijan - Mahammad bey Ashiq, who lived in the 18th century, Abdussamad bey Ashiq, who lived in the 19th century, and Khosrov bey Javanshir, who lived in the 20th century. These three personalities, influential poets and public figures of their time, were subjected to persecution and repression during the Russian and Soviet empires.

A stop-motion documentary that describes the artificial mummification (black and red mummies) of the Chinchorro culture, a pre-hispanic society of fishermen and hunter-gatherers who practiced funeral rites with sophisticated techniques for body preservation 7,000 years ago, originating on the Camarones coast of Chile.

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

A little boy's Christmas wonders, and adults' reality.

Avantgarde film about an exhibition.

Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.

In a bid to encourage city-dwellers to leave behind the restrictions of war, 'The Green Girdle' escapes from the austere urban landscape of inner-city London and savours the natural delights of the capital’s rural surroundings.

The Crown Jewels of Iran is a 1965 film commissioned and then banned by the Shah’s cultural ministry, featuring dazzling edits and camera movements and a charged narration assaulting economic disparities.

A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse.

In a rolling area of Syria, the villagers live their everyday life, in toil and poverty. Trapped between the hardships of farming, religious and political ideologies, they barely survive. Their children are the only ones that are still full of hope. They imagine their future lives and picture themselves as doctors or engineers. But these are pipe dreams. All they can actually look forward to is farming the land with primitive tools like their parents, getting a menial job in the city or becoming brainwashed soldiers..

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

En dehors de vos murs

Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.

Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

Garden of Des Moines is an intimate interview-style short film that follows drag performers in Iowa as they navigate the challenges of being queer in a conservative state. Through personal stories, the film explores the difficulties they face, from political pushback to societal pressures, while highlighting the joy, resilience, and freedom they find in drag. Set against Iowa's landscape, the film captures the vibrant, defiant beauty of queer expression flourishing in unexpected places