Take Joy! The Magical World of Tasha Tudor

In 1936, 18 African American athletes dubbed the "black auxiliary" by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.

A biographical documentary following the life of a young Japanese priest and bar-owner.

“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

L'acte de la beauté

Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.

Documentary about Czech filmaker Vera Chytilova.

When Nicki finds two horses stranded deep in the Rocky Mountain snow, she makes it her mission to find a way to get them to safety. With no other options, she picks up a shovel and starts to dig out the mile-long path, inspiring her father, Matt, and the rest of the community to join together and save the horses in the spirit of Christmas.

In 2003, the infant Chinese twin sisters Mia and Alexandra were found in a cardboard box. They ended up in an orphanage and were put up for adoption, at which time the authorities apparently decided that it was a good idea to separate them, and to keep silent about the fact that they were twins. Twin Sisters tells their story from the perspective of both sets of adoptive parents: one from Sacramento, California, the other from a tiny village in picturesque Norway. Through a series of coincidences that they later attribute to fate, the parents meet each other during the adoption procedure in China and launch an investigation that reveals the little girls are sisters.

This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.

The Homeland of Electricity, Larisa Shepitko's adaptation of an Andrei Platonov story, was one of three short films collected in an omnibus work (Beginning of an Unknown Era) commissioned to honor the 50th Anniversary of the October Revolution. Censors eventually shelved the film and it would not see the light of day until well after Shepitko's death, during Mikhail Gorbachev's perestroika.

After the sudden death of their father, four children face cruel treatment from their ruthless grandmother.

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

A police officer reassigned to curate a photography exhibition finds links between a series of murders.

Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.