Dictionnaire amoureux du journalisme

Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.

A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

In Abby Martin's second feature documentary, Earth’s Greatest Enemy reveals a hidden truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter. Drawing on powerful testimonies from veterans, scientists, and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming, and sacrifice the future for endless expansion. From Alaska’s melting glaciers to contaminated bases across the U.S. and toxic battlefields abroad, Earth’s Greatest Enemy delivers a provocative and unflinching examination of the untouchable institution playing an outsized role in the climate crisis.

From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.

Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.

In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.

In Japan, there is an informal agreement between mainstream media and the government that is hardly ever questioned: Journalists are not too persistent in their criticism, in turn representatives of the government grant direct access to select information through press conferences. Isoko Mochizuki, reporter for the Tokyo Shimbun newspaper, has established herself as a spoilsport in this system.

A sobering look at the erosion of democracy & freedom of the press in the United States and abroad.

Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.

Dernière Tribune

Journalists Johan Persson and Martin Schibbye talk about the horrendous days in the desert, rail executions and false terror charges. They were arrested before they could report on the violence in the closed state of Ogaden. But the Ethiopian regime failed to silence them. With the help of never-before-seen video material and testimonies smuggled out of the country by a high ranking official, the whole story can finally be told. About Johan and Martin. About the violence in Ogaden. And about the prisoners of dictatorship.

Fredrik Gertten's documentary follows the editoral on the newspaper "Arbetet" during the weeks before it is about to be closed.

Narrated by Academy Award winners Sissy Spacek and Herbie Hancock, River of Gold is the disturbing account of a clandestine journey into Peru's Amazon rainforest to uncover the savage unraveling of pristine jungle. What will be the fate of this critical region of priceless biodiversity as these extraordinarily beautiful forests are turned into a hellish wasteland?