circles

I was teaching Vicente how to handle the camera. He taught me how to see the world.

Short experimental computer animation by Jules Engel

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

"In medical terminology, absence of genitalia in females is referred to as "gynatresia". In other words, an extreme defect that goes beyond a mere illness" Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

Experimental animation made by using mosaic tiles.

Here is a crazy man who goes to the movies. Today's destination is 'Seoul Art Cinema' located in Jeong-dong, Seoul. Before passing through Independence Gate, climb the mountain and look at Seoul Art Cinema in the distance. Will he be able to watch the movie safely?

Banished from Lesotho, the titular character Molelekoa flees from the police. During the chase other characters discuss the complexities of life in Lesotho as well as the nature of art and death

A stasis work invoking the memory of the lynching of Mary Turner, a young, pregnant African American woman in South Georgia. Publicly demanding justice after the murder of her husband, Turner was kidnapped by a mob, hung up in a tree, set on fire, her child cut out and killed, and shot hundreds of times before being buried on-site in 1918. Returning to the origins of cinema, filmed on the exact date and time of Turner’s lynching 105-years earlier, # 3 uses form, time, light, shadow, and landscape as metaphor to not only invoke the memory of Mary Turner, but to also ponder perspective relating to racial violence, violence against women, our failure to acknowledge our past, and the racial divide that continues to exist today in the schizophrenia of America life.

Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.) (J. Hoberman, The Village Voice)

An exploration of love and loss in Paris.

Katie has escaped an abusive household with her dog and younger sister Haley, in exchange for a less than ideal temporary housing environment. They soon realize that someone is too eager to welcome them to the neighborhood.

Batalhão

People gather in a house, each doing their own tasks. As their respective duties draw to a close, a woman presumed to be the mother makes a decision.

Two kids' friendship is tested in a game of cards as a mysterious figure watches them from outside.

A foolish shadow attempts to behave like a real entity but the irony takes place

Experimental short animated film by Péter Molnár

L'art d'aimer mourir

With closed eyes, a woman stands in serene stillness, her skin becoming a canvas where neutral pigments intertwine. She dances and reclines, embracing vulnerability as she finally opens her eyes and confronts the cruel world within her soul.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

A fascinating hall of mirrors through a montage of film noir scenes where the actors face a painted portrait. This perfect blend of cinema and painting was commissioned to supplement a book study. Provost exploits the rules of editing to create an imaginary museum visit. He guides us through living rooms and picture galleries of 1940s and 1950s noir crime thrillers, gothic melodramas, and ghost stories.